The Roman Poets of the Republic, 2nd editionSellar, W. Y. (William Young)
History
The Roman Poets of the Republic, 2nd edition
Sellar, W. Y. (William Young)
Latin poetry -- History and criticism
Ut pluma atque pili primum saetaeque creantur
Quadripedum membris et corpore pennipotentum,
Sic nova tum tellus herbas virgultaque primum
Sustulit, inde loci mortalia saecla creavit.[398]
From v. 535 to 563 the power of the air in supporting the earth 'in
media mundi regione' is compared with the power which the delicate
vital principle has in supporting the human body. Again, the gathering
together of the waters of the sea is thus represented--
Tam magis expressus salsus de corpore sudor
Augebat mare manando camposque natantis.[399]
And finally, though it would be easy to multiply such quotations, the
striking account, at the end of the second book, of the growth and the
decay of our world is drawn directly from the obvious appearances of
the growth and decay of the human body; e.g.--
Quoniam nec venae perpetiuntur
Quod satis est neque quantum opus est natura ministrat.[400]
As a necessary result of a system of natural philosophy based on
assumptions, largely illustrated indeed, but not corroborated by
the observation of phenomena, with no verification of experiment or
ascertainment of special laws, there is throughout the poem the utmost
hardihood of assertion and inference on many points, on which modern
science clearly proves this system to have been as much in error as
it was possible to be. It is strange to note how inadequate an idea
Lucretius had of the vastness and complexity of the problem which
he professed to solve. He has no real conception of the progressive
advance of knowledge, and of the necessity of patiently building on
humble foundations. The striking lines--
Namque alid ex alio clarescet nec tibi caeca
Nox iter eripiet quin ultima naturai
Pervideas: ita res accendent lumina rebus,[401]
look rather like an unconscious prophecy of the future progress of
science than an account of the process of enquiry exhibited in the book.
Public-domain text, read in full here on John Shaqi.
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