His Italian spirit, and the Greek culture acquired by him in early youth, were two of the conditions out of which the new literature was destined to arise. The third condition was his steadfast and ardent Roman patriotism. Born more than a generation after his native district had ceased to be at war with Rome, he grew up to manhood during the years of peace between the first and second Carthaginian wars, when the supremacy of Rome was loyally accepted. Between early manhood and middle life he was a witness of and an actor in the protracted and long doubtful struggle between the two great Imperial States, on the issue of which hung the future destinies of the world:-- Omnia cum belli trepido concussa tumultu Horrida contremuere sub altis aetheris oris; In dubioque fuere utrorum ad regna cadendum Omnibus humanis esset terraque marique[51]. Though during that struggle the loyalty of some of the Italian communities was shaken, yet the aristocratic party in every city, and the Greek States generally, were true to the Roman alliance[52]. Thus his political sympathies, as well as his Greek education, would incline Ennius to identify himself with the cause of Rome, and his ardent imagination apprehended the grandeur and majesty with which she played her part in the contest. It was in the Second Punic War that the ideal of what was greatest in the character and institutions of Rome was most fully realised. Her good fortune supplied from among the contingent furnished to the war by her Messapian allies a man of a nature so sympathetic with her own and an imagination so vivid as to gain for the ideal thus created a permanent realization.