Although this form of literature has little in common with the higher Roman mood, and exercised comparatively slight influence on the style and sentiment of later Roman poetry[5], yet no review of the creative literature of the Republican period would be complete without some attempt to estimate the value of the comedy of Plautus and Terence. The difficulty of doing so adequately arises from an opposite cause to that which makes our judgment on the art and genius of the Roman tragic poets so incomplete. In the latter case we know what was the character of their Greek models; but we can only conjecture from a number of unconnected fragments, how far the copy deviated in tone and spirit from the original. On the other hand, while we have between twenty and thirty specimens of Latin comedy, we have no finished work of Greek art in the same style, with which to compare them. It makes a great difference in our opinion, not only of the genius of the Roman poets, but of the productive force of the Roman mind, whether we regard Plautus and Terence as facile translators, or as writers of creative originality who filled up the outlines which they took from the new comedy of Athens with matter drawn from their own observation and invention. It makes a great difference in the literary interest of these works, whether we regard them as blurred copies of pictures from later Greek life, or, like so much else in Roman literature, as compositions which, while Greek in form, are yet in no slight degree Roman or Italian in substance, character, life, and sentiment. How far can we answer these questions, either by general considerations, or by a special attention to the actual products of Latin comedy which we possess? We have seen that there was a certain aptitude in the graver Roman spirit for tragedy:-- Nam spirat tragicum satis et feliciter audet.