The Roman Poets of the Republic, 3rd editionSellar, W. Y. (William Young)
History
The Roman Poets of the Republic, 3rd edition
Sellar, W. Y. (William Young)
Latin poetry -- History and criticism
translating passages from the Greek tragedians in his philosophical
works. That he had no true poetical faculty is shown by the apparent
indifference with which he regarded the works of the two great poets
of his time. This indifference is the more marked from his generous
recognition of the oratorical promise and accomplishment of the men
of a younger generation. The tragedies of Q. Cicero were mere literary
exercises and made no impression on his generation. Though several of
the multifarious works of Varro were written in verse, yet the whole
cast of his mind was thoroughly prosaic. His tastes and abilities were
those of an antiquarian scholar, not of a man of poetic genius and
accomplishment.
The period of nearly half a century, from 102 till about 60 B.C.,
must thus be regarded as altogether barren in genuine poetical result.
During this long interval there appeared no successor to carry on the
work of developing the poetical side of a national literature, begun
by Plautus, Ennius, and Lucilius. The only metrical compositions
of this time were either inferior reproductions of the old forms or
immature anticipations of the products of a later age. The political
disturbance of the times between the tribunate of Tib. Gracchus and
the first consulship of Crassus and Pompey (B.C. 70) was unfavourable
to the cultivation of that poetry which is expressive of national
feeling: and the Roman genius for art was as yet too immature to
produce the poetry of individual reflection or personal passion. The
state of feeling throughout Italy, before and immediately subsequent
to the Social War, alienated from Rome the sympathetic genius of the
kindred races from whom her most illustrious authors were drawn in
later times. It was in the years of comparative peace, between the
horrors of the first civil war and the alarm preceding the outbreak of
the second, that a new poet grew apparently unnoticed to maturity, and
the silence was at last broken after the long repression of Italian
genius by a voice at once stronger in native vitality and richer in
acquired culture than any which had preceded it.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account