Rome -- History -- Republic, 265-30 B.C. -- Fiction
Armed chairs, with downy pillows, covered with choice embroidered cloths
of Calabria, soft ottomans and easy couches, tables loaded with implements
of female luxury, musical instruments, drawings, and splendidly
illuminated rolls of the amatory bards and poetesses of the Egean islands,
completed the picture of the boudoir of the Roman beauty.
And on a couch piled with the Tyrian cushions, which yielded to the soft
impress of her lovely form, well worthy of the splendid luxury with which
she was surrounded, lay the unrivalled Fulvia, awaiting her expected
lover.
If she was lovely in her rich attire, as she appeared at the board of
Catiline, with jewels in her bosom, and her bright ringlets of luxuriant
gold braided in fair array, far lovelier was she now, as she lay there
reclined, with those bright ringlets all dishevelled, and falling in a
flood of wavy silken masses, over her snowy shoulders, and palpitating
bosom; with all the undulating outlines of her superb form, unadorned, and
but scantily concealed by a loose robe of snow-white linen.
Her face was slightly flushed with a soft carnation tinge, her blue eyes
gleamed with unusual brightness. And by the fluttering of her bosom, and
the nervous quivering of her slender fingers, as they leaned on a tripod
of Parian marble which stood beside the couch, it was evident that she was
labouring under some violent excitement.
"He comes not," she said. "And it is waxing late. He has again failed me!
and if he have—ruin—ruin!—Debts pressing me in every quarter, and no hope
but from him. Alfenus the usurer will lend no more—my farms all mortgaged
to the utmost, a hundred thousand sesterces of interest, due these last
Calends, and unpaid as yet. What can I do?—what hope for? In him there is
no help—none! Nay! It is vain to think of it; for he is amorous as ever,
and, could he raise the money, would lavish millions on me for one kiss.
No! _he_ is bankrupt too; and all his promises are but wild empty
boastings. What, then, is left to me?" she cried aloud, in the intensity
of her perturbation. "Most miserable me! My creditors will seize on
all—all—all! and poverty—hard, chilling, bitter poverty, is staring in my
face even now. Ye Gods! ye Gods! And I can not—can not live poor. No more
rich dainties, and rare wines! no downy couches and soft perfumes! No
music to induce voluptuous slumbers! no fairy-fingered slaves to fan the
languid brow into luxurious coolness! No revelry, no mirth, no pleasure!
Pleasure that is so sweet, so enthralling! Pleasure for which I have lived
only, without which I must die! _Die_! By the great Gods! I _will_ die!
What avails life, when all its joys are gone? Or what is death, but one
momentary pang, and then—quiet? Yes! I will die. And the world shall learn
that the soft Epicurean can vie with the cold Stoic in carelessness of
living, and contempt of death—that the warm votaress of Aphrodite can
spend her glowing life-blood as prodigally as the stern follower of
Public-domain text, read in full here on John Shaqi.
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