Rome -- History -- Republic, 265-30 B.C. -- Fiction
Still he did not attempt to conceal, that both Cicero and himself had
suspicions of the identity of the double murderer, or that he was about to
go forth that very evening, for the purpose of attempting—as he
represented it—to ascertain, beyond doubt, the truth of his suspicions.
And here it was singular, that Julia evinced not so much alarm or
perturbation as her mother; whether it was that she underrated the danger
he was like to run, or overrated the prowess and valor of her lover. But
so it was, for though she listened eagerly while he was speaking, and
gazed at him wistfully after he had become silent, she said nothing. Her
beautiful eyes, it is true, swam with big tear-drops for a moment, and her
nether lip quivered painfully; but she mastered her feelings, and after a
short space began to talk joyously about such subjects as were suggested
by the pleasant scenery, through which their road lay, or the various
groups of people whom they met on the way.
Ere long the shrill blast of a cavalry trumpet was heard from the
direction of the bridge, and a cloud of dust surging up in the distance
announced the approach of the train.
There was a small green space by the wayside, covered with short mossy
turf, and overshadowed by the spreading branches of a single chesnut,
beneath which Paullus drew up the mules of Hortensia’s carriage, directing
the old charioteer, who seemed hard set to manage his high-bred and fiery
steeds, to wheel completely off the road, and hold them well in hand on
the green behind him.
By this time the procession had drawn nigh, and two mounted troopers,
glittering in casques of highly polished bronze, with waving crests of
horsehair, corslets of burnished brass, and cassocks of bright scarlet
cloth, dashed by as hard as their fiery Gallic steeds could trot, their
harness clashing merrily from the rate at which they rode. Before these
men were out of sight, a troop of horse rode past in serried order, five
abreast, with a square crimson banner, bearing in characters of gold the
well-known initials, S. P. Q. R., and surmounted by a gilded eagle.
Nothing could be more beautifully accurate than the ordered march and
exact discipline of this little band, their horses stepping proudly out,
as if by one common impulse, in perfect time to the occasional notes of
the _lituus_, or cavalry trumpet, by which all their manœuvres were
directed; and the men, hardy and fine-looking figures, in the prime of
life, bestriding with an air of perfect mastery their fiery chargers, and
bearing the weight of their heavy panoply beneath the burning sunshine of
the Italian noon, as though a march of thirty miles were the merest
child’s play.
Public-domain text, read in full here on John Shaqi.
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