The Roman Wall: A historical, topographical, and descriptive account of the barrier of the lower isthmus, extending from the Tyne to the Solway, deduced from numerous personal surveysBruce, J. Collingwood (John Collingwood)
History
The Roman Wall: A historical, topographical, and descriptive account of the barrier of the lower isthmus, extending from the Tyne to the Solway, deduced from numerous personal surveys
Bruce, J. Collingwood (John Collingwood)
Great Britain -- Antiquities, Roman; Walls, Roman -- Great Britain
The fragments of columns which are engraved in Plate XI, enable us to
imagine the original grandeur of the place.[109] With some of the
certainty with which a comparative anatomist decides upon the character
and habits of an animal, from an inspection of a fragment of its osseous
system, an architect determines the size and style of a building from an
examination of some of its parts. Thus, the circular column, of which
one of the stones (Plate XI.) that now lies in the valley below the
station, has formed a part, was probably not less than twenty feet high;
how imposing must the entire temple have been!
Plates XII and XIII exhibit several of the carved figures which formerly
lay in confusion among the ruins of the station. They are interesting,
as exhibiting the state of the arts in Britain at that time, the mode of
dress adopted by the Romans, and the [Illustration: Figure of Victory]
high degree of attention which they paid to the decoration of their
stations. Roman art in Britain has surely been rated too low.
The figure introduced on this page was found here. It represents one of
old Rome’s most favourite deities,—Victory, careering, with outstretched
wings, over the globe. How strong must the passion for conquest have
been in the breast of a people, who, though nurtured in a southern
climate, braved for more than three centuries, the fogs, and storms, and
desolation of this wild region! Wherever the winged goddess led, they
followed, and, most pertinaciously too, maintained their ground. But,
there is a tide in the affairs of men.
A Roman poet, in the fulness of his heart, sang—
Urbs oritur (quis tunc hoc ulli credere posset?)
Victorem terris impositura pedem.
Cuncta regas: et sis magno sub Cæsare semper
Sæpe etiam plures nominis hujus habe.
Et quoties steteris domito sublimis in orbe,
Omnia sint humeris inferiora tuis.
How different the strains which, in a distant age, and in another clime,
were to flow from the lyre of a brother bard, and how appropriate to the
present condition of the deserted BORCOVICUS!—
Where is Rome?
She lives but in the tale of other times;
Her proud pavilions are the hermit’s home,
And her long colonnades, her public walks
Now faintly echo to the pilgrim’s feet,
Who comes to muse in solitude, and trace,
Through the rank moss revealed, her honoured dust.
Public-domain text, read in full here on John Shaqi.
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