The Roman Wall: A historical, topographical, and descriptive account of the barrier of the lower isthmus, extending from the Tyne to the Solway, deduced from numerous personal surveysBruce, J. Collingwood (John Collingwood)
History
The Roman Wall: A historical, topographical, and descriptive account of the barrier of the lower isthmus, extending from the Tyne to the Solway, deduced from numerous personal surveys
Bruce, J. Collingwood (John Collingwood)
Great Britain -- Antiquities, Roman; Walls, Roman -- Great Britain
_MORESBY_, within a short distance of Whitehaven, still exhibits the
remains of a Roman camp. It occupies a commanding position, enjoying
especially an extensive marine prospect. Its western and southern
ramparts are still good. The parish church and church-yard border upon
its eastern wall. A sculptured stone, evidently chiselled by Roman
hands, lies upon the spot, under the ruined chancel-arch of the old
church. The important slab, of which the wood-cut gives a
representation, was found in digging for the foundations of the present
parish church. It is another of the interesting testimonies which we
have of the energy and influence of the emperor Hadrian in those parts.
Like the Milking-gap inscription, it gives the name of the emperor in
the genitive case.
[Illustration: Slab to Hadrian, Moresby]
[Sidenote: FORT AT MALBRAY.]
A military way ran along the coast from this station, by way of
Maryport, to the extremity of the Wall, at Bowness. By this means, the
defence of the coast could be more effectually secured. As the distance
between Maryport and Bowness is considerable, a small camp was planted
at Malbray, which is about midway between the two places. The site of it
is now a ploughed field.
We have now taken a hasty review of the stations on both sides of the
Wall, which have supported that structure. Never, assuredly, was a
dangerous frontier more securely guarded. So long as the stations were
supplied with vigilant and well-disciplined troops, no foe, however well
armed, could successfully attempt the passage of the Barrier of the
Lower Isthmus.
[Sidenote: MURAL SCENES.]
Even the cursory view that we have taken of the subject, entitles us to
say, that the boldness of the design was worthy of Rome in the zenith of
her glory; and that the manner in which the project was carried out was
becoming a nation with whom to conceive was to execute.
If we turn our attention for a moment from the work, to the object for
which it was intended, regret, that man should use his ingenuity for the
purposes of aggression and bloodshed, will take the place of admiration.
Milton aptly describes the scenes which this region would often
witness:—
He look’d, and saw wide territory spread
Before him, towns, and rural works between,
Cities of men with lofty gates and towers,
Concourse in arms, _fierce faces_ threatening war,
Giants of mighty bone, and bold emprise;
Part wield their arms ...
... now scattered lies
With carcases and arms th' ensanguined field
Deserted....
... Others from THE WALL defend
With dart and javelin....
On each hand slaughter and gigantic deeds.
Adam was all in tears.
_Paradise Lost_, xi. 638-674.
[Illustration: Symbol of Leg. xx. v. v.]
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Footnote 128:
Public-domain text, read in full here on John Shaqi.
The Roman Wall: A historical, topographical, and descriptive account of the barrier of the lower isthmus, extending from the Tyne to the Solway, deduced from numerous personal surveys — John Shaqi
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