The Roman Wall: A historical, topographical, and descriptive account of the barrier of the lower isthmus, extending from the Tyne to the Solway, deduced from numerous personal surveysBruce, J. Collingwood (John Collingwood)
History
The Roman Wall: A historical, topographical, and descriptive account of the barrier of the lower isthmus, extending from the Tyne to the Solway, deduced from numerous personal surveys
Bruce, J. Collingwood (John Collingwood)
Great Britain -- Antiquities, Roman; Walls, Roman -- Great Britain
Human sacrifices seem to have been used in the worship of Mithras.
Photius, in his life of Athanasius, asserts that there was a Greek
temple in Alexandria, in which, in ancient times, the Greeks performed
sacred rites to Mithras, sacrificing men, women, and children, and
auguring from their entrails. Pliny tells us that in the year of Rome
657, a decree of the senate was passed, forbidding the immolation of
man; for till that time monstrous solemnities were openly
celebrated.[139] The emperor Heliogabalus, a native of Syria, styled
himself high priest of Mithras. His assassination is partly ascribed to
the horror with which the people listened to the tales of magic rites in
which he was concerned, and of human victims secretly slaughtered.[140]
[Sidenote: MITHRAIC CAVE.]
The cave at Housesteads in which the Mithraic sculptures were found, was
situated in the valley to the south of the station. It was discovered in
1822 by the tenant of the farm in which it stood, who fixed upon the
spot as one likely to yield him the material which he required for
building a stone fence hard by. The building was square; its sides faced
the cardinal points. It had been originally, as was usually
[Illustration: Zodiacal Tablet, Borcovicus] the case in a Mithraic
temple, permeated by a small stream. Hodgson, who saw it as soon as it
was laid bare, says, ‘The cave itself seems to have been a low
contemptible hovel, dug out of a hill side, lined with dry walls, and
covered with earth or straw.’ Though the building has been entirely
removed, a small hollow is left which marks the spot where it stood. All
the sculptured stones have happily been placed in the custody of the
Society of Antiquaries, Newcastle-upon-Tyne. Amongst them, besides the
altars already given, and some which it has not been thought necessary
here to engrave, is the curious stone shewn in the wood-cut. It
represents Mithras, surrounded by the zodiac. The signs of cancer and
libra are omitted. The zodiacal tablet assumes an egg-like form,
probably to symbolize the principle of generation. The god holds a sword
in his right hand, and a peculiar spiral object in his left. It more
nearly resembles an ear of corn than the flame of a torch. We are
reminded [Illustration: Pine-apple Ornament, etc., Cilurnum] by it of
the ornaments resembling pine apples, which are frequently found on the
line of the Wall; and were probably connected with the worship of this
deity. The example here figured, as well as the small altar which
accompanies it, was found at Housesteads; both are now preserved at
Chesters.
[Illustration: Presumed Mithraic Sculpture, Cilurnum]
[Sidenote: MITHRAIC SYMBOLS.]
The accompanying wood-cut represents a subject which is supposed to be
connected with the mysteries of Mithraic worship. The slab was found at
CILURNUM, and is now at Alnwick Castle. Though not satisfied with
Hodgson’s description of it, I am unable to supply a better. He says;—
Public-domain text, read in full here on John Shaqi.
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