We now proceed to an important group of altars and sculptures, which, if not strictly local, are yet chiefly found in those regions of Europe which were swept by the Teutonic wave in its progress westward. They have been met with in England, the Netherlands, along the banks of the Rhine and other parts of Germany, and in France. These deities, when sculptured, are represented as triple, generally seated, clothed in long flowing drapery, and bearing in their laps baskets of fruit. A slab, of which a drawing has already been given (p. 140), is inscribed MATRIBUS CAMPESTRIBUS, to the mothers of the plains; it probably refers to the deities in question. An altar found in the same [Illustration: Altar to the Three Lamiæ, Condercum] station, CONDERCUM, and now in the vaults of Somerset-house, is inscribed LAMIIS TRIBUS, to the three Lamiæ. The wood-cut accurately represents it. In Rich’s companion to the Latin Dictionary, the Lamiæ are represented as ‘Vampires; believed to be malignant spirits of the female sex, who wandered about at night in the guise of old hags, sucking blood, and devouring the flesh of human beings. This superstition,’ continues the writer, ‘originated in Egypt.’ In corroboration of the Egyptian origin of this class of demons, it may be stated that small images, arranged in triplets, are of common occurrence among [Illustration: Egyptian Idols] [Illustration: Egyptian Idols] the antiquities of Egypt. The cuts here introduced exhibit two groups of this class of idols, selected from a large number of similar sets, in the possession of his Grace the duke of Northumberland, at Alnwick Castle. Their resemblance to some of those found upon the line of the Wall is striking. The foreign origin of these mother-deities is further proved by their being denominated in inscriptions MATRES TRAMARINÆ, Transmarine Mothers. The altar here figured is an example of this kind; it was found at HABITANCUM, and is now preserved [Illustration: Altar to the Transmarine Mothers, Habitancum] at Alnwick Castle. The inscription records, that Julius Victor dedicated it in discharge of a vow freely and deservedly to the Transmarine Mothers. This Victor, it appears by another inscription, was a tribune of the first cohort of the Vangiones, a Germanic tribe. On none of these altars are the deities distinguished by a proper name. This would seem to be in conformity with the superstitious feelings of the middle ages in England and Germany, where it was thought unlucky to call the fairies and elves by any other denominations than the respectful titles of ‘the ladies,’ or ‘the good people.’ Several sculptures representing, as is supposed, the mother-goddesses, have been found on the line of the Wall. One group, found at Housesteads, and now in the castle of Newcastle-upon-Tyne, is drawn (fig. 4) on Plate XI. When seen by Horsley, this slab had in the upper part of it two fishes and a sea-goat in relief. Two other sets