The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5Gautier, Théophile
General
The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5
Gautier, Théophile
Egypt -- Antiquities -- Fiction; Egypt -- Description and travel
Pieces of linen, cut open in the middle, had been passed over the head
and, fitted to the shoulders, fell down over the chest. All these
obstacles having been removed, there appeared a sort of veil like coarse
India muslin, of a pinkish colour, the soft tone of which would have
delighted a painter. It appears to me that the dye must have been
anatto, unless the muslin, originally red, turned rose-colour through
the action of the balsam and of time. Under the veil there was another
series of bandages, of finer linen, which bound the body more closely
with their innumerable folds. Our curiosity was becoming feverish, and
the mummy was being turned somewhat quickly. A Hoffmann or an Edgar Poe
could have found here a subject for one of his weird tales. It so
happened that a sudden storm was lashing the windows with heavy drops of
rain that rattled like hail; pale lightnings illumined on the shelves of
the cupboards the old yellowed skulls and the grimacing death's-heads of
the Anthropological Museum; while the low rolling of the thunder formed
an accompaniment to the waltz of Nes Khons, the daughter of Horus and
Rouaa, as she pirouetted in the impatient hands of those who were
unwrapping her.
The mummy was visibly growing smaller in size, and its slender form
showed more and more plainly under its diminishing wrappings. A vast
quantity of linen filled the room, and we could not help wondering how a
box which was scarcely larger than an ordinary coffin had managed to
hold it all. The neck was the first portion of the body to issue from
the bandages; it was covered with a fairly thick layer of naphtha which
had to be chiselled away. Suddenly, through the black remains of the
natron, there flashed on the upper part of the breast a bright gleam of
gold, and soon there was laid bare a thin sheet of metal, cut out into
the shape of the sacred hawk, its wings outspread, its tail fanlike like
that of eagles in heraldry. Upon this bit of gold--a funeral jewel not
rich enough to tempt body-snatchers--had been written with a reed and
ink a prayer to the gods, protectors of the tombs, asking that the heart
and the viscerae of the dead should not be removed far from her body. A
beautiful microscopic hawk, which would have made a lovely watch-charm,
was attached by a thread to a necklace of small plates of blue glass, to
which was hung also a sort of amulet in the shape of a flail, made of
turquoise-blue enamel. Some of the plates had become semi-opaque, no
doubt owing to the heat of the boiling bitumen which had been poured
over them, and then had slowly cooled.
Public-domain text, read in full here on John Shaqi.
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