The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5Gautier, Théophile
General
The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5
Gautier, Théophile
Egypt -- Antiquities -- Fiction; Egypt -- Description and travel
In an essay on the history of manners and customs which forms the
introduction to his book, M. Ernest Feydeau has discussed this question
of colour applied to science with much spirit, logic, and eloquence. He
proves that it is possible, without falling into novel writing, without
indulging in imaginativeness, and while preserving the gravity and the
authority of history, to group around facts, by the intelligent reading
of texts, by the study and the comparison of the monuments, the manners,
the customs, the books of vanished races, to show man at a particular
time, to put as a background to each event the landscape, the city, or
the interior in which it occurred, and in the conqueror's hand the
weapon which he really carried. Ideas have forms, events take place amid
certain surroundings, individuals wear costumes which archaeology,
properly understood, can restore to them. That is its proper task.
History draws the outline with a graver, archaeology must fill it in with
colour. Understood in this way, history makes the past present. The
innovating archaeologist, by an apparently paradoxical inspiration, has
asked of death the secret of life; he has studied the tomb, which has
yielded up to him not only the mysteries of destruction, but the customs
and the national life of all the nations of antiquity. The sepulchre has
faithfully preserved what the memory of man has forgotten and what has
been lost in scattered libraries. The tomb alone, opening its sombre
lips, has replied to the questions of to-day; it knows what historians
do not know; it is impartial, and has no interest in lying, apart from
the innocent imposture of the epitaph. Each generation, as it sinks
forever under the ground, after having lived and moved for a few moments
on its surface, inscribes upon the walls of its funeral dwelling the
true expression of its acts, its beliefs, its customs, its arts, its
luxuries, its individuality, all that was seen then and that shall never
again be seen, and then the hand of man rolls boulders, the desert heaps
up sand, the waters of the stream deposit mud upon the forgotten
entrance to the necropolis. The pits are filled up, the subterranean
passages are effaced, the tombs sink and disappear under the dust of
empires. A thousand, two thousand, three thousand, four thousand years
pass by, and a lucky stroke of the pick reveals a whole nation within a
coffin.
The ancients, differing in this respect from the moderns, spent their
life in preparing their last dwelling. The history of their funerals
contains, therefore, the germ of their whole history. But that history,
full of intimate details, mysterious facts, and documents at times
enigmatical, is not to be written like the other form of history which
men are satisfied to repeat from age to age. It is amazing how many
years the author had to spend in study and research in order to write
his book, to bring together his materials, to analyse and to compare
them.
Public-domain text, read in full here on John Shaqi.
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