The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5Gautier, Théophile
General
The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5
Gautier, Théophile
Egypt -- Antiquities -- Fiction; Egypt -- Description and travel
The garden, lighted by the rising sun, had a bright, happy, restful
look. The green of the trees was so brilliant, the colours of the
flowers so splendid, air and light filled so joyously the vast enclosure
with breeze and sunbeams, the contrast of the rich greenness with the
bare whiteness of the chalky sterility of the Libyan chain, the crest of
which was seen above the walls cutting into the blue sky, was so marked
that one felt the wish to stop and set up one's tent there. It looked
like a nest purposely built for a longed-for happiness.
Along the walks travelled servants bearing on their shoulders a yoke of
bent wood, from the ends of which hung by ropes two clay jars filled at
the reservoirs, the contents of which they poured into small basins dug
at the foot of each plant. Others, handling a jar suspended from a pole
working on a post, filled with water a wooden gutter which carried it to
the parts of the garden that needed irrigating. Gardeners were clipping
the trees to a point or into an elliptical shape. With the help of a hoe
formed of two pieces of hard wood bound by a cord and thus making a
hook, other workmen were preparing the ground for planting.
It was a delightful sight to see these men with their black, woolly
hair, their bodies the colour of brick, dressed only in a pair of white
drawers, going and coming amid the greenery with orderly activity,
singing a rustic song to which their steps kept time. The birds perched
on the trees seemed to know them, and scarcely to fly off when, as they
passed, they rubbed against the branches.
The door of the building opened, and Poeri appeared on the threshold.
Though he was dressed in the Egyptian fashion, his features were not in
accordance with the national type, and it took no long observation to
see that he did not belong to the native race of the valley of the Nile.
He was assuredly not a _Rot'en'no_. His thin aquiline nose, his flat
cheeks, his serious-looking, closed lips, the perfect oval of his face,
were essentially different from the African nose, the projecting
cheek-bones, the thick lips, and broad face characteristic of the
Egyptians. Nor was his complexion the same; the copper tint was replaced
by an olive pallor, which the rich, pure blood flushed slightly; his
eyes, instead of showing black between their lines of antimony, were of
a dark blue like the sky of night; his hair, silkier and softer, curled
in less crisp undulations, and his shoulders did not exhibit that
rigid, transversal line which is the characteristic sign of the race as
represented on the statues of the temples and the frescoes of the tombs.
Public-domain text, read in full here on John Shaqi.
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