The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5Gautier, Théophile
General
The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5
Gautier, Théophile
Egypt -- Antiquities -- Fiction; Egypt -- Description and travel
Poeri landed a little below the palace and fastened his boat to a post
so as to find it on his return. Then he took his palm stick and ascended
the slope of the quay with a swift step.
Poor Tahoser, almost worn out, clung with her stiffened hands to the
first step of the stair, and with difficulty drew from the stream her
dripping limbs, which the contact of the air made heavier as she
suddenly felt the fatigue. But the worst of her task was over. She
climbed the steps, one hand pressed to her quick-beating heart, the
other placed on her head to steady her rolled up and soaked dress. After
having noticed the direction in which Poeri was walking, she sat down on
top of the bank, untied her dress, and put it on. The contact of the wet
stuff made her shudder slightly, yet the night air was soft and the
southern breeze blew warm; but she was stiff and feverish, and her
little teeth were chattering. She summoned up her energy, and gliding
close by the sloping walls of the giant buildings, she managed not to
lose sight of the young Hebrew, who turned around the corner of the
mighty brick walls of the palace and entered the streets of Thebes.
After walking for some fifteen minutes, the palaces, the temples, the
splendid dwellings vanished, and were replaced by humbler houses;
granite, sandstone, and limestone were replaced by unbaked bricks and by
clay worked with straw. Architectural design disappeared; low huts
showed around like blisters or warts upon lonely places, upon waste
fields, and were changed by the darkness into monstrous shapes. Pieces
of wood and moulded bricks arranged in heaps obstructed the way. Out of
the silence rose strange, troubling sounds: an owl whirled through the
air, lean dogs, raising their long, pointed noses, followed with
plaintive bay the erratic flight of a bat; scorpions and frightened
reptiles scurrying by, made the dry grass rattle.
"Could Harphre have spoken the truth?" thought Tahoser, impressed by the
sinister aspect of the place. "Is it possible that Poeri comes here to
sacrifice a child to those barbarous gods who love blood and suffering?
Never was any place better fitted for cruel rites."
Meanwhile, profiting by the shadow of corners, the ends of walls, the
clumps of vegetation, and the unevenness of the ground, she kept at the
same distance from Poeri.
"Even if I were to be present as an invisible witness at some scene as
frightful as a nightmare, to hear the cries of the victim, to see the
priest, his hands red with blood, draw from the little body the smoking
heart, I should go on to the end," said Tahoser to herself, as she saw
the young Hebrew enter a hut built of clay, through the crevices of
which shone a few rays of yellow light.
Public-domain text, read in full here on John Shaqi.
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