At first the stagnant fumes of the dry leaf mingling with the odours of so many tightly packed bodies, caused me to turn suddenly dizzy, and the rows of shining black faces swam before my eyes in a blur with the brilliantly dyed turbans of the women. Then I gritted my teeth fiercely, the mist cleared, and I listened undisturbed to the melancholy chant which accompanied the rhythmic movements of the lithe brown fingers. At either end of the room, which covered the entire length and breadth of the building, the windows were shut fast, and on the outside, close against the greenish panes, innumerable flies swarmed like a black curtain. Before the long troughs stretching waist high from wall to wall, hundreds of negroes stood ceaselessly stripping the dry leaves from the stems; and above the soft golden brown piles of tobacco, the blur of colour separated into distinct and vivid splashes of red, blue, and orange. Back and forth in the obscurity these brilliantly coloured turbans nodded like savage flowers amid a crowd of black faces, in which the eyes alone, very large, wide open, and with gleaming white circles around the pupils, appeared to me to be really alive and human. They were singing as we entered, and the sound did not stop while the manager crossed the floor and paused for an instant beside the nearest worker, a brawny, coal-black negro, with a red shirt open at his throat, on which I saw a strange, jagged scar, running from ear to chest, like the enigmatical symbol of some savage rite I could not understand. Without turning his head at the manager's approach, he picked up a great leaf and stripped it from the stem at a single stroke, while his tremendous bass voice rolled like the music of an organ over the deep piles of tobacco before which he stood. Above this rich volume of sound fluted the piercing thin sopranos of the women, piping higher, higher, until the ancient hymn resolved itself into something that was neither human nor animal, but so elemental, so primeval, that it was like a voice imprisoned in the soil--a dumb and inarticulate music, rooted deep, and without consciousness, in the passionate earth. Over the mass of dark faces, as they rocked back and forth, I saw light shadows tremble, as faint and swift as the shadows of passing clouds, while here and there a bright red or yellow head-dress rose slightly higher than its neighbours, and floated above the rippling mass like a flower on a stream. And it seemed to me as I stood there, half terrified by the close, hot smells and the savage colours, that something within me stirred and awakened like a secret that I had carried shut up in myself since birth. The music grew louder in my ears, as if I, too, were a part of it, and for the first time I heard clearly the words:-- "Christ totes de young lambs in his bosom, bosom, Christ totes de young lambs in his bosom, bosom, Christ totes de young lambs in his bosom, bosom, Fa-ther, de ye-ar-ur Ju-bi-le-e!"