Madame Octave Feuillet, to whom I went for final confirmation of this
supposed dearth of artistic documents relating to her deceased husband,
showed me everything she had as mementoes of the delicate psychologist
to whose success she so largely contributed by her feminine diplomacy,
her social observations, and her subtle and very cultivated mind.
"Alas!" she said, "I do not know why I am not richer in pictures of my
dear lost one, for he had endless opportunities of being painted, but he
was always too nervous and too busy to undertake the sittings proposed
by various artists. This is why I can only show you a little portrait
painted by Bonvin just before 1850, which represents him with a
Musset-like face, and agrees pretty closely with a drawing of the same
period by the engraver Monciau, which could easily be reproduced."
[Illustration: OCTAVE FEUILLET After a photograph taken in 1880]
"Beyond these souvenirs of Octave Feuillet as a young man," continued
his widow, "I have nothing but a drawing by Dantan, made at the time of
the great success of the _Sphinx_ at the Comedie Française, that is to
say, about ten years before his death, and a large canvas by Hirch, a
full-length, painted after 1880. But isn’t it too dark for
reproduction?"
To these portraits of the author of "Julia de Trécoeur" we may add a
number of photographs, all of them taken after 1860. First, the large
full-length portrait published by Goupil about 1869 in the "Galerie
Contemporaine." In spite of the defects inherent in all photographs,
this is the most like him of all his portraits: it is reproduced as the
frontispiece of this volume. We have given several others, among them
one from Monciau’s drawing, which shows us an Octave Feuillet of
thirty-five, who is nevertheless somewhat morose-looking, and various
presentments of the quinquagenarian Academician, with the white hair and
grey beard of a man still in his prime, which offer a much nobler and
more attractive semblance of the writer who has been called "The family
Musset."
[Illustration: OCTAVE FEUILLET The last photograph taken in 1889]
After the death of the famous novelist and playwright, the sculptor
Crauck executed a fine bust of him with the aid of instructions given
him by one of the author’s sons, Richard Feuillet. Another bust, of
little interest and a poor likeness, is at the Hôtel de Ville of St. Lo,
where Feuillet was born, and where he often came to rest at his property
during the summer.
[Illustration: OCTAVE FEUILLET Sketch by Dantan, about 1878]
Public-domain text, read in full here on John Shaqi.
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