I bent towards her with evident emotion, with visible respect. Mlle. de
Porhoët took my hand and pressed it gently.
"Cousin," she said, "I am not mad, whatever they may say. My father,
who was truth itself, always declared that when the direct line of our
Spanish branch became exhausted we should be sole heirs to the estate.
Unfortunately, his sudden and violent death prevented him from giving us
more exact information; but, as I cannot doubt his word, I do not doubt
my rights. However," she added, after a little pause, and in accents of
touching sadness, "if I am not mad, I am old, and the people in Spain
know it. For fifteen years they have dragged me on from one delay to
another; they are waiting for my death to finish everything. And ...
they will not have to wait long. Some morning, very soon now, I must
make my last sacrifice. My dear cathedral—my only love, which has taken
the place of so many broken or suppressed attachments—will have but one
stone—that of my tomb."
She was silent; her thin hands wiped away two tears that flowed down her
worn face, as, striving to smile, she said:
"Forgive me, cousin, you have enough troubles of your own. Besides, it
is late—you must go. You will compromise me!"
Before leaving, I again recommended the greatest discretion in reference
to the secret I had intrusted to her. She replied, a little naïvely,
that I need not be anxious, and that my peace of mind and dignity were
safe in her hands. Nevertheless, during the next few days, I suspected,
from Mme. Laroque’s increased attentions, that my excellent friend had
handed on my confidence. Indeed, Mlle. de Porhoët admitted the fact,
declaring that the honour of her family demanded this, and assured me
that Mme. Laroque was incapable of betraying a secret intrusted to her,
even to her own daughter.
Our interview had filled me with sympathetic respect for the old lady,
which I tried to express by my actions. The evening of the next day I
taxed all the resources of my pencil in the invention of decorations,
internal and external, for her beloved cathedral. The attention seemed
to please her very much, and I soon got into the habit of working on the
cathedral every evening after our whist, enriching the ideal edifice
with a statue, a pulpit, and a rood-loft. Mlle. Marguerite, who seems
to feel a kind of adoration for her old neighbour, associated herself
with my work of charity by devoting a special album to the Basilica
Porhoët, which it is my duty to fill with designs and drawings.
Public-domain text, read in full here on John Shaqi.
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