By an accident—not purely fortuitous, I must admit—I found myself, after
an hour’s walking, in a deserted valley, and on the brink of the pool
which had been the scene of my recent prowess. The amphitheatre of rocks
and greenery which surrounds the small lake realizes the very ideal of
solitude. There you are at the end of the world, in a virgin country,
in China—where you will! I lay down among the heather, recalling my
expedition of yesterday, one not likely to occur again in the course of
the longest life. Already I felt that if such good fortune should come
to me a second time, it would not have that charm of surprise, of
peacefulness, and—in one word—of innocence. I had to own that this
fresh romance of youth, which gave a perfume to my thoughts, could have
but one chapter, one page, and that I had read it. Yes, this hour, this
hour of love, to call it by its true name, had been royally sweet,
because it had not been premeditated, because I had not known what it
was till it had gone, because I had had the rapture, and had been spared
remorse. Now my conscience was awake. I saw myself on the verge of an
impossible, a ridiculous love, and worse, of a culpable passion. Poor
and disinherited as I am, it is time to keep a strict watch over myself.
I was addressing these warnings to myself in this solitary place—any
other would have served my purpose as well—when the sound of voices
interrupted my reflections. I rose, and saw a company of four or five
people who had just landed, advancing towards me. First came Mlle.
Marguerite leaning on M. de Bévallan’s arm; next Mlle. Hélouin and Mme.
Aubry, followed by Alain and Mervyn. The sound of their approach had
been drowned in the roar of the waterfall; they were only a few yards
off; there was no time for retreat, so I had to resign myself to being
discovered in the character of the romantic recluse. But my presence
did not excite any particular attention, though I saw a shadow of
annoyance on Mlle. Marguerite’s face, and she returned my bow with
marked stiffness.
M. de Bévallan, standing at the verge of the pool, wearied the echoes
with the clamour of his conventional admiration. "Delicious! How
picturesque! What a feast! The pen of George Sand.... The pencil of
Salvator Rosa!"
All this was accompanied by violent gestures, by which he appeared to be
snatching from these great artists, the instruments of their genius.
Public-domain text, read in full here on John Shaqi.
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