London (England) -- Fiction; Middle class women -- Fiction; Women -- Employment -- Fiction
The world, even when represented by her best friends, had labelled her a
strong-minded woman. By universal consent she had been cast for the
part, and perforce must go through with it.
She heard steps coming up the Virginia cork passage and concluded that
Mrs. Maryon was bringing her an expected postcard from Lucy.
"Come in," she said, not raising her head from the table.
The person who had come in was not, however, Mrs. Maryon.
He came up to the table with its solitary candle and faced her.
When she saw who it was her heart stood still; then in one brief moment
the face of the universe had changed for her for ever.
"Lord Watergate!"
"I said I would come again. I have come in spite of you. You will not
tell me that I come too soon, or in vain?"
"You must not think that I did not value what you offered me," she said
simply, though her voice shook; "that I did not think myself deeply
honoured. But I was afraid--I have suffered very much."
"And I.... Oh, Gertrude, my poor child, and I have left you all this
time."
For the light, flickering upwards, had shown him her weary, haggard
face; had shown him also the pathetic look of her eyes as they yearned
towards him in entreaty, in reliance,--in love.
He had taken her in his arms, without explanation or apology, holding
her to his breast as one holds a tired child.
And she, looking up into his face, into the lucid depths of his eyes,
felt all that was mean and petty and bitter in life fade away into
nothingness; while all that was good and great and beautiful gathered
new meaning and became the sole realities.
[Illustration: Decoration]
[Illustration: Decoration]
EPILOGUE.
There is little more to tell of the people who have figured in this
story.
Fanny continues to flourish at Notting Hill, the absence of children
being the one drop in her cup and that of her husband.
"But, perhaps," as Lucy privately remarks, "it is as well; for I don't
think the Marshes would have understood how to bring up a child."
For Lucy, in common with all young matrons of the day, has decided views
on matters concerned with the mental, moral, and physical culture of the
young. Unlike many thinkers, she does not hesitate to put her theories
into practice, and the two small occupants of her nursery bear witness
to excellent training.
The photography, however, has not been crowded out by domestic duties;
and no infant with pretensions to fashion omits to present itself before
Mrs. Jermyn's lens. Lucy has succumbed to the modern practice of
specialising, and only the other day carried off a medal for photographs
of young children from an industrial exhibition. Her husband is no less
successful in his own line. Having permanently abandoned the paint-brush
for the needle, he bids fair to take a high place among the black and
white artists of the day.
Public-domain text, read in full here on John Shaqi.
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