Aeronautics; Aeronautics, Military; World War, 1914-1918 -- Aerial operations
There are other machines which help in an attack by keeping the various
parts of the long line in close communication with each other, so that
all efforts are in unison. Their duties correspond in a way to those of
the swift horseback rider we read of in the stories of old wars, who
sped with news of great import from one commander to another. Only that
the airplanes of to-day are so much more efficient than the gallant
horseback rider of old, that although the line stretches across a
nation, it can act as a man when the moment comes for a big "push."
Long before the war Germany had been busy turning out airplanes in
large numbers in her factories, and in August, 1914, her air force was
far superior in numbers to that of her great opponent France. She fondly
imagined that she would be able with the greatest ease to put out her
enemy's eyes, but in this she failed utterly. In spite of her military
program of construction, according to which airplanes were turned out as
if by clock-work, there was something wrong with her calculations. It is
amusing to look back and see how German "method" had been carried to the
absurd point of defeating itself. In manner truly characteristic, the
Hun had standardized his airplane down to the last bolt. Every machine
turned out was of exactly the same pattern, and built up of exactly the
same parts--parts which could be manufactured in large quantities and
put together with unusual speed. It was certainly _system_ raised to the
_n_th degree. And the machines themselves were good enough--sturdy
biplanes intended to be maids-of-all-work over the front lines. Yet in a
little while after the fighting had begun, Germany withdrew them in more
or less chagrin, and set herself to constructing others of varied
patterns. They were well made and splendidly equipped, but they were not
sufficiently _specialized_ for the many different kinds of work they
were called on to perform.
Public-domain text, read in full here on John Shaqi.
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