The Romance of Biography (Vol 1 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.Jameson, Mrs. (Anna)
History
The Romance of Biography (Vol 1 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.
Jameson, Mrs. (Anna)
Women in literature
On glancing back at the age of Elizabeth,--so adorned by masculine
talent, in arts, in letters, and in arms,--we are at first surprised to
find so few distinguished women. It seems remarkable that a golden epoch
in our literature, to which she gave her name "the Elizabethan age,"--a
court in which a female ruled,--a period fruitful in great poets, should
have produced only one or two women who are interesting from their
poetical celebrity. Of these, Alice Spenser, Countess of Derby, and Mary
Sydney, Countess of Pembroke, (the sister of Sir Philip Sydney) are the
most remarkable; the first has enjoyed the double distinction of being
celebrated by Spenser in her youth, and by Milton in her age,--almost
too much honour for one woman, though she had been a muse, and a grace,
and a cardinal virtue, moulded in one. Lady Pembroke has been celebrated
by Spenser and by Ben Jonson, and was, in every respect, a most
accomplished woman. To these might be added other names, which might
have shone aloft like stars, and "shed some influence on this lower
world:" if the age had not produced two women, so elevated in station,
and so every way illustrious by accidental or personal qualities, that
each, in her respective sphere, extinguished all the lesser orbs around
her. It would have been difficult for any female to seize on the
attention, or claim either an historical or poetical interest, in the
age of Queen Elizabeth and Mary Stuart.
In her own court, Elizabeth was not satisfied to preside. She could as
ill endure a competitor in celebrity or charms, as in power. She
arrogated to herself all the incense around her; and, in point of
adulation, she was like the daughter of the horse-leech, whose cry was,
"give! give!" Her insatiate vanity would have been ludicrous, if it had
not produced such atrocious consequences. This was the predominant
weakness of her character, which neutralized her talents, and was
pampered, till in its excess it became a madness and a vice. This
precipitated the fate of her lovely rival, Mary Queen of Scots. This
elevated the profligate Leicester to the pinnacle of favour, and kept
him there, sullied as he was by every baseness and every crime;[112]
this hurried Essex to the block; banished Southampton; and sent Raleigh
and Elizabeth Throckmorton to the Tower. Did one of her attendants, more
beautiful than the rest, attract the notice or homage of any of the gay
cavaliers around her,--was an attachment whispered, a marriage
projected,--it was enough to throw the whole court into consternation.
"Her Majesty, the Queen, was in a passion;" and, then, heaven help the
offenders! It was the spirit of Harry the Eighth let loose again. Yet
such is the reflected glory she derives from the Sydneys and the
Raleighs, the Walsinghams and Cecils, the Shakspeares and Spensers of
her time, that we can scarce look beyond it, to stigmatise the hard
unfeminine egotism of her character.
Public-domain text, read in full here on John Shaqi.
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