The Romance of Biography (Vol 1 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.Jameson, Mrs. (Anna)
History
The Romance of Biography (Vol 1 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.
Jameson, Mrs. (Anna)
Women in literature
Lunge da voi, ben mio!
Non ho vita ne core! e non son io
Non sono, oimè! non sono
Quel ch' altra volta fui, ma un Ombra mesta,
Un lagrimevol suono, &c.
--the tone is too passionate to allow of it. He finds her looking up one
night at the stars; it is sufficient to inspire that beautiful little
song,
Mentre, mia stella, miri
I bei celesti giri,
Il cielo esser vorrei,
Perchè negli occhi mici
Fiso tu rivolgessi
Le tue dolci faville;
Io vagheggiar potessi
Mille bellezze tue, con luci mille![128]
He relates, in another little madrigal, that standing alone with her in
a balcony, he chanced, perhaps in the eagerness of conversation, to
extend his arm on hers. He asks pardon for the freedom, and she replies
with sweetness, "You offended not by placing your arm there, but by
withdrawing it." This little speech in a coquette would have been _sans
consequence_; from such a woman as Leonora, it spoke volumes; and her
lover felt it so. He breaks forth in a rapture at the tender
condescension,
O parolette amorose, &c.
Then comes a cloud, but whether of temper or jealousy, we know not. One
of those luckless trifles, perhaps,
--that move
Dissension between hearts that love.
Tasso accompanied Lucrezia d'Este, then Duchess of Urbino, to her villa
of Castel Durante, where he remained for some time, partaking in all the
amusements of her gay court, without once seeing Leonora. He then wrote
to her, and the letter fortunately has been preserved entire.
Though guarded in expression, it is throughout in the tone of a lover
piqued, and yet conscious that he has himself offended; and seeking,
with a sort of proud humility, the reconciliation on which his happiness
depends. He sends her a sonnet, which he admits is "far unlike the
elegant effusions he supposes her now in the habit of receiving." He
begs to assure her, that though it be in art and wit as poor as he is
himself in happiness, yet in his present pitiable condition, he could do
no better; (not that he was to all appearance so very much to be
pitied). He adds, "do not think, however, that in this vacancy of
thought, my heart has found leisure for love. The Sonnet is merely
composed at the request of a certain poor lover, who has for some time
past quarrelled with his mistress; and now no longer able to endure his
hard fortune, is obliged to yield, and sue for grace and pardon." "Il
quale essendo stato un pezzo in colera con la sua donna, ora non potendo
più, bisogna che si renda e che dimanda mercè." The Sonnet enclosed in
this letter, ("Sdegno, debil Guerrier,") appears to me one of the least
pleasing in the collection; as if his genius and his feelings were both
under some benumbing influence when he wrote it.
In the meanwhile, there was a report that Leonora was about to be united
to a foreign Prince. Her hand had been demanded of her brother with the
usual formalities. On this occasion Tasso wrote the fine Canzone,
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account