The Romance of Biography (Vol 1 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.Jameson, Mrs. (Anna)
History
The Romance of Biography (Vol 1 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.
Jameson, Mrs. (Anna)
Women in literature
Milton was in love, as he tells us himself, at nineteen; but the object
cannot even be guessed at. He has celebrated this boyish passion very
beautifully in one of his Latin elegies. One of the passages in this
poem, in which he compares the effect produced on him by the first
momentary view of his mistress, followed by her immediate absence to the
Theban Oeclides,[143] swallowed up by the abyss which opens beneath
him, and gazing back upon the parting light of day, is admired for its
classic sublimity and appropriate beauty.
There is a tradition mentioned by all his biographers, that while Milton
was a student at Cambridge, an Italian lady of rank, who was travelling
in England, found him sleeping one day under the shade of a tree, and,
struck with his beauty, wrote with her pencil on a slip of paper, the
pretty madrigal of Guarini, which Menage translated for Madame de
Sevigné, "Occhi, stelle mortali," and leaving it in his hand, pursued
her journey. This fair unknown is said to have been the cause of
Milton's travels into Italy; but the story rests on no authority: and it
is clear, that the "foreign fair" to whom the Sonnets are addressed, was
neither imaginary nor unknown. During his stay at Rome, he was received
with particular distinction by the Cardinal Barberini, the nephew of the
reigning Pope, and at his palace had frequent opportunities of hearing
Leonora Baroni, the finest singer in Italy. She was the daughter of
Adriana of Mantua, surnamed, for her beauty, La Bella Adriana, and the
best singer and player on the lute of her time. Leonora inherited her
mother's extraordinary talent for music, and conquered all hearts by the
inexpressible charm of her voice and style. She was also a poetess,
frequently composing the words of her own songs. Though not a regular
beauty, she had brilliant eyes, and a captivating countenance and
manner. Count Fulvio Testi, in a Sonnet addressed to her, celebrates the
union of so many charms:
Tra il concento e 'l fulgor, dubbio è se sia
L'udir più dolce, o il rimirar più caro.
Deh fammi cieco, o fammi sordo, amore!
Public-domain text, read in full here on John Shaqi.
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