[93] Sonnet 65. CHAPTER XV. ON THE LOVE OF SHAKSPEARE. Shakspeare--I approach the subject with reverence, and even with fear,--is the only poet I am acquainted with and able to appreciate, who appears to have been really heaven-inspired: the workings of his wondrous and all-embracing mind were directed by a higher influence than ever was exercised by woman, even in the plenitude of her power and her charms. Shakspeare's genius waited not on Love and Beauty, but Love and Beauty ministered to _him_; he perceived like a spirit; he was created, to create; his own individuality is lost in the splendour, the reality, and the variety of his own conceptions. When I think what those are, I feel how needless, how vain it were to swell the universal voice with one so weak as mine. Who would care for it that knows and feels Shakspeare? Who would listen to it that does not, if there be such? It is not Shakspeare as a great power bearing a great name,--but Shakspeare in his less divine and less known character,--as a lover and a man, who finds a place here. The only writings he has left, through which we can trace any thing of his personal feelings and affections, are his Sonnets. Every one who reads them, who has tenderness or taste, will echo Wordsworth's denunciation against the "flippant insensibility" of some of his commentators, who talked of an Act of Parliament not being strong enough to compel their perusal, and will agree in his opinion, that they are full of the most exquisite feelings, most felicitously expressed; but as to the object to whom they were addressed, a difference of opinion prevails. From a reference, however, to all that is known of Shakspeare's life and fortunes, compared with the internal presumptive evidence contained in the Sonnets, it appears that some of them are addressed to his amiable friend, Lord Southampton; and others, I think, are addressed in Southampton's name, to that beautiful Elizabeth Vernon, to whom the Earl was so long and ardently attached.[94] The Queen, who did not encourage matrimony among her courtiers, absolutely refused her consent to their union. She treated him as she did Raleigh in the affair of Elizabeth Throckmorton; and Southampton, after four years of impatient submission and still increasing love, as tenderly returned by his mistress, married without the Queen's knowledge, lost her favour for ever, and had nearly lost his head.[95]