The Romance of Biography (Vol 2 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.Jameson, Mrs. (Anna)
General
The Romance of Biography (Vol 2 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.
Jameson, Mrs. (Anna)
Women in literature
In one of his letters, written immediately after her departure, he asks
her how he had looked? how he had behaved at the last moment? whether he
had betrayed any deeper feeling than propriety might warrant? "For if,"
he says, "my parting looked like that of a common acquaintance, I am the
greatest of all hypocrites that ever decency made." And in a subsequent
letter he says, very feelingly and significantly, "May that person (her
husband) for whom you have left the world, be so just as to prefer you
to all the world. I believe his good sense leads him to do so now, as
gratitude will hereafter. May you continue to think him worthy of
whatever you have done! may you ever look upon him with the eyes of a
first lover, nay, if possible, with all the unreasonable happy fondness
of an unexperienced one, surrounded with all the enchantments and ideas
of romance and poetry! I wish this from my heart; and while I examine
what passes there in regard to you, I cannot but glory in my own heart,
that it is capable of so much generosity."
This was sufficiently clear. I need scarcely remark _en passant_, that
Pope's generosity and wishes were all _en pure perte_; his spitefulness
must have been gratified by the sequel of Lady Mary's domestic bliss;
her marriage ended in disgust and aversion; which, on her separation
from Mr. Wortley, subsided into a good-humoured indifference.[131]
After a union of twenty-seven years, she parted from him and went to
reside abroad. There were errors on both sides; but I am obliged to
admit that Lady Mary, with all her fine qualities, had two
faults,--intolerable and unpardonable faults in the eyes of a husband or
a lover. She wanted softness of mind, and refinement of feeling, in the
first place: and she wanted--how shall I express it?--she wanted
neatness and personal delicacy; and was, in short, that _odious_ thing,
a female sloven, as well as that _dangerous_ thing, a female wit.
In those days the style of dress was the most hideous imaginable. The
women wore a large quantity of artificial hair, in emulation of the
tremendous periwigs of the men; and Pope, in one of his letters to Lady
Mary, mentions her "full bottomed wig," which, he says, "I did but
assert to be a _bob_" and was answered, "Love is blind!" On her return
from Turkey, she sometimes allowed her own fine dark hair to flow loose,
and was fond of dressing in her Turkish costume. In this she was
imitated by several beautiful women of the day, and particularly by her
lovely contemporary, Lady Fanny Shirley, (Chesterfield's "Fanny,
blooming fair:" he seems to have admired her as much as he could
possibly admire any thing, next to himself and the Graces.) In her
picture at Clarendon Park, she too appears in the habit of Fatima.
_Apropos_, to the loves of the poets, Lady Fanny deserves to be
mentioned as the theme of all the rhymesters, and "the joy, the wish,
the wonder, the despair," of all the beaux of her day.[132]
Public-domain text, read in full here on John Shaqi.
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