The Romance of Biography (Vol 2 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.Jameson, Mrs. (Anna)
General
The Romance of Biography (Vol 2 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.
Jameson, Mrs. (Anna)
Women in literature
If we take a rapid view of French literature, from the reign of Louis
the Fourteenth, down to the Revolution, we are dazzled by the record of
brilliant and celebrated women, who protected or cultivated letters, and
obtained the homage of men of talent. There was Ninon; and there was
Madame de Rambouillet; the one _galante_, the other _precieuse_. One had
her St. Evremond; the other her Voiture. Madame de Sabliere protected La
Fontaine; Madame de Montespan protected Moliere; Madame de Maintenon
protected Racine. It was all patronage and protection on one side, and
dependance and servility on the other. Then we have the _intrigante_
Madame de Tencin;[137] the good-natured, but rather _bornee_ Madame de
Geoffrin; the Duchesse de Maine, who held a little court of _bel
esprits_ and small poets at Sceaux, and is best known as the patroness
of Mademoiselle de Launay. Madame d'Epinay, the _amie_ of Grimm, and the
patroness of Rousseau; the clever, selfish, witty, ever _ennuyee_, never
_ennuyeuse_ Madame du Deffand; the ardent, talented Mademoiselle de
l'Espinasse, who would certainly have been a poetess, if she had not
been a philosopheress and a Frenchwoman: Madame Neckar, the patroness of
Marmontel and Thomas:--_e tutte quante_. If we look over the light
French literature of those times, we find an inconceivable heap of _vers
galans_, and _jolis couplets_, licentious songs, pretty, well-turned
compliments, and most graceful badinage; but we can discover the names
of only two distinguished women, who have the slightest pretensions to a
poetical celebrity, derived from the genius, the attachment, and the
fame of their lovers. These were Madame du Chatelet, Voltaire's
"Immortelle Emilie:" and Madame d'Houdetot, the Doris of Saint-Lambert.
Gabrielle-Emilie le Tonnelier de Breteuil, was the daughter of the Baron
de Breteuil, and born in 1706. At an early age she was taken from her
convent, and married to the Marquis du Chatelet; and her life seems
thenceforward to have been divided between two passions, or rather two
pursuits rarely combined,--love, and geometry. Her tutor in both is said
to have been the famous mathematician Clairaut; and between them they
rendered geometry so much the fashion at one time, that all the women,
who were distinguished either for rank or beauty, thought it
indispensable to have a geometrician in their train. The "Poetes de
Societe" hid for a while their diminished heads, or were obliged to
study geometry _pour se mettre a la mode_.[138] Her friendship with
Voltaire began to take a serious aspect, when she was about
eight-and-twenty, and he was about forty; he is said to have succeeded
that _roue par excellence_, the Duc de Richelieu, in her favour.
Public-domain text, read in full here on John Shaqi.
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