The Romance of Biography (Vol 2 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.Jameson, Mrs. (Anna)
General
The Romance of Biography (Vol 2 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.
Jameson, Mrs. (Anna)
Women in literature
Voltaire was so overwhelmed by this loss, that he set off for Paris
immediately _pour se dissiper_. Marmontel has given us a most ludicrous
account of a visit of condolence he paid him on this occasion. He found
Voltaire absolutely drowned in tears, and at every fresh burst of
sorrow, he called on Marmontel to sympathise with him. "Helas! j'ai
perdu mon illustre amie! Ah! ah! je suis au desespoir!"--Then exclaiming
against Saint-Lambert, whom he accused as the cause of the
catastrophe--"Ah! mon ami! il me l'a tuee, le brutal!" while Marmontel,
who had often heard him abuse his "_sublime_ Emilie" in no measured
terms, as "une furie, attachee a ses pas," hid his face with his
handkerchief in pretended sympathy, but in reality to conceal his
irrepressible smiles. In the midst of this scene of despair, some
ridiculous idea or story striking Voltaire's vivid fancy, threw him into
fits of laughter, and some time elapsed before he recollected that he
was inconsolable.
The death of Madame du Chatelet, the circumstances which attended it,
and the celebrity of herself and her lover, combined to cause a great
_sensation_. No elegies indeed appeared on the occasion,--"no tears
eternal that embalm the dead;" but a shower of epigrams and _bon
mots_--some exquisitely witty and malicious. The story of her ring, in
which Voltaire and her husband each expected to find his own portrait,
and which on being opened, was found, to the utter discomfiture of both,
to contain that of Saint-Lambert, is well known.
If we may judge from her picture, Madame du Chatelet must have been
extremely pretty. Her eyes were fine and piercing; her features
delicate, with a good deal of _finesse_ and intelligence in their
expression. But her countenance, like her character, was devoid of
interest. She had great power of mental abstraction; and on one occasion
she went through a most complicated calculation of figures in her head,
while she played and won a game at piquet. She _could_ be graceful and
fascinating, but her manners were, in general, extremely disagreeable;
and her parade of learning, her affectation, her egotism, her utter
disregard of the comforts, feelings, and opinions of others, are well
pourtrayed in two or three brilliant strokes of sarcasm from the pen of
Madame de Stael.[145] She even turns her philosophy into ridicule.
"Elle fait actuellement la revue de ses Principes;[146] c'est un
exercise qu'elle reitere chaque annee, sans quoi ils pourroient
s'echapper; et peut-etre s'en aller si loin qu'elle n'en retrouverait
pas un seul. Je crois bien que sa tete est pour eux une maison de force,
et non pas le lieu de leur naissance."[147]
Public-domain text, read in full here on John Shaqi.
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