Few men would have continued under such hopeless conditions; most
would have acknowledged defeat and betaken themselves to an easier
task. But Flinders Petrie was possessed of a determination that
would not be denied. He set to work drilling holes in the coffin—a
most difficult feat. When this was done bolts were inserted, strong
ropes were attached, and the men went along the passage and hauled
away with all their strength. For a time it was like heaving at a
mountain, then the coffin stirred slightly, moved more and more.
Backs were bending under the strain, arms almost cracking as the men
taking part in that fantastic tug-of-war with a dead man finally
triumphed and dragged the water-blackened coffin out of the depths.
Breathlessly they opened it, found the mummy of Horuta, “wrapped in a
network of lapis lazuli, beryl, and silver.... Bit by bit the layers
of pitch and cloth were loosened, and row after row of magnificent
amulets were disclosed, just as they were laid on in the distant
past. The gold ring on his finger which bore his name and titles, the
exquisitely inlaid gold birds, the chased gold figures, the lazuli
statuettes, the polished lazuli and beryl and carnelian amulets
finely engraved.”
Forgotten were the herculean labours of the past months, forgotten
the icy water that froze their bodies, the blackness that blinded
them, swept away by the sight of the treasures disclosed to their
delighted eyes, the treasures for which they had endured so much and
fought so long. The recovery of the mummy of Horuta is one of the
epics of the Nile.
The world-famous tablets of Tell el Amarna were accidentally
discovered by an Arab woman, who happened on them while searching
the ruins for trifles to sell to tourists. The tablets were letters
sent by the King of Babylon to the King of Egypt, written in the
usual cuneiform characters on slabs of clay, and they disclose much
concerning the life of that time. A remarkable thing is that in one
of the letters, the King of Babylon mentions that he is sending a
present of some couches to the King of Egypt, and the discovery of
the tomb of Tutankhamen has brought to light what appear to be the
very couches which were presented to the King of Egypt nearly four
thousand years ago.
Professor Petrie has little doubt that the strange lion-couches are
of Babylonian origin, and that these are the couches referred to
in the Tell el Amarna letters. The couches found in Tutankhamen’s
tomb are secured with bronze clasps. The Babylonians secured their
furniture in this way, but the Egyptians never did, for in the
Nile valley the furniture was held together with wooden pegs; so
the evidence distinctly favours the view that these are indeed the
Babylonian couches mentioned.
Public-domain text, read in full here on John Shaqi.
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