Lord Carnarvon, in a lecture at the Central Hall, Westminster, gave
a vivid account of the opening of the tomb, telling how they cleared
the passage leading to the first chamber, how they broke a hole
through the sealed wall just large enough to see through, how Mr.
Howard Carter held up his candle and peered into the tomb, uttering
no word. All the time Lord Carnarvon was on tenterhooks, wondering
what was behind the wall. A moment later he peered through, and saw
one of the most wonderful sights that has ever greeted an excavator.
To come on such a wealth of treasure is actually a grave
responsibility. Before now men have seen statues suddenly collapse
into dust before their amazed eyes, have watched brilliantly
decorated mummy cases crumble without warning into heaps of powder.
A most dramatic incident occurred after the unique discovery of all
the royal mummies in 1881. Exercising the utmost care, Maspero slowly
unwrapped one of the mummies in order to gaze on the actual features
of the dead monarch. A camera was focused, the plate exposed, and
even as the photograph was taken the face vanished into nothingness.
Maspero was terribly upset at the loss of the mummy, so upset that he
refused to allow the mummy of Rameses the Great to be unwrapped, for
fear it, too, should vanish.
For things cannot last for ever, even in the dry air of Egypt. They
cannot spend thousands of years in tombs without becoming fragile.
Their preservation is therefore imperative. Everything must be
photographed from many angles, in order to provide a complete record
in pictures. In the case of the treasures of Tutankhamen, electric
lamps of 2000 candle-power were installed in the tomb, for the use of
the photographer. Paraffin wax, dissolved celluloid, sheets of glass,
various acids, are used to prevent decay.
Even when all precautions are taken, things have to be very carefully
handled. They literally need wrapping in cotton wool, and one of Lord
Carnarvon’s first purchases, when he saw the extent of his discovery,
was a mile and a half of cotton wool to wrap round the treasures.
[Illustration:
_By courtesy of the British Museum_
THESE MARVELLOUS COFFINS, FOUND AT THEBES, ARE DECORATED WITH SCENES
FROM THE BOOK OF THE DEAD. THE REPRODUCTIONS GIVE ONLY A FAINT IDEA
OF THE WONDERFUL BEAUTY OF THE ORIGINALS, WHICH ARE ALL PAINTED IN
THE MOST GORGEOUS COLOURS AND IN SOME CASES HEAVILY OVERLAID WITH
GOLD. THEY ARE FINE EXAMPLES OF THE REMARKABLE SKILL OF THE EGYPTIAN
ARTISTS. THAT OF HU-EN-AMEN ON THE LEFT IS ABOUT 2,700 YEARS OLD, AND
THE OTHER OF ATHA-NEB IS ABOUT 2,400 YEARS OLD]
Public-domain text, read in full here on John Shaqi.
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