The carvings were old—as old as the hills—and like the hills they
became part of the landscape. They were legendary, carved, so
people said, by the gods in the dim past. Age-old myths concerning
them were poured into the ear of the stranger who passed that way,
but those who used the road regularly, and those who dwelt in the
neighbourhood, took no more notice of the rock carvings of Behistun
than they took of the other features of the scenery. The most aged
man was as ignorant of the origin of the carvings as was the youngest
stripling.
There the figures stood for centuries, for thousands of years. The
traders drove their animals along the road to the sound of jingling
bells, quaffed the waters of the spring, and passed onward, much more
concerned about their merchandise than about the carvings on the
bluff.
Had the figures been more accessible, they would have vanished long
ago. Senseless wanderers would have taken pleasure in smashing them,
and rain and frost and sun would have completed the destruction. But
the figures were carved too high, and the rock below had been cut
away by the masons of old, leaving a perpendicular wall which could
only be scaled at considerable risk. Above them was the sheer cliff.
There was no way down to them, no easy way up to them. The escarpment
on which they were carved rose for 1700 feet, and they were graved
out of the living rock 300 feet above the ground.
Except for a few travellers’ tales, the carvings at Behistun were
unknown to the teeming multitudes dwelling in the great cities. Few
men would have thought of looking in this lonely spot in Persia for
the lost key to Babylon and Assyria. Yet here was the key for the
man who had the courage and determination to wrest it from the
mountains. Such a man came in the end, over two thousand four hundred
years after the ancient sculptors had carved the last figure and
removed the last scaffolding.
The discovery of the key to Egyptian hieroglyphics, and the discovery
of the key to cuneiform writing, resemble each other in more ways
than one. It will be remembered that a soldier found the Rosetta
Stone, and that an Englishman was the first man to indicate the
manner of reading it. Rawlinson, whose genius solved the puzzle of
Persian cuneiform, was also a soldier and an Englishman. It seems
strange that science should be indebted to a doctor and a soldier for
lifting the curtains of the past, that scholars who had spent their
lives studying foreign languages should have to rely upon two men to
whom these things were just an absorbing hobby.
Public-domain text, read in full here on John Shaqi.
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