The Romance of His Life, and Other RomancesCholmondeley, Mary
General
The Romance of His Life, and Other Romances
Cholmondeley, Mary
Great Britain -- Social life and customs -- 20th century -- Fiction; Short stories
Ted's round eyes became solemn. He was gazing into the future, leaning
forward, a stout hand on each stout knee.
"Teddy shall go to Eton," he said, "and I shall put him in the Guards."
A week later Ted took us down by motor to see Kenstone. It was too far
for us to return the same day, so he engaged rooms for us in the village
inn. His "buyer" was to meet him, and advise him as to what part of the
contents of the house he should offer to take over by private treaty
before the sale.
On a gleaming day in late September we sped along the lovely Essex
lanes, between the pale harvested fields.
"There's the forest," shouted Ted, leaning back from his seat in front,
and pointing to a long ridge of trees which seemed to stretch to the low
horizon beyond the open fields.
"When we're over the bridge we're on the--the property," yelled Ted.
We lurched over the bridge, and presently the forest came along the
water's edge to meet us, and we turned sharply through an open gateway
into a private road.
Such trees I had never seen. They stood in stately groups of birch and
oak and pine with broad glades of grass and yellowing bracken between
them.
"Ancient deer park once," shouted Ted. "Shall be again."
Essie paid little attention to him. We had made a very early start, and
she was tired. She leaned back in the car with half closed eyes.
The trees retreated on each side of the road, and the wonderful old
house came suddenly into sight, standing above its long terrace with its
stone balustrade.
Ted gave a sort of yelp.
"Oh Essie!" I cried. "Look--look! It's perfect."
She gazed languidly for a moment, and then she sat up suddenly, and her
face changed. She stared wildly at the house, and put out her hands as
if to ward it off.
The car sped up to the arched doorway, with its coat of arms cut in grey
stone, and Ted leaped out and rushed up the low steps to the bell.
"Not here! Not here!" gasped Essie, clinging to the car. "I can't live
here." She was trembling violently.
"Dear Essie," I said amazed, "we can't remain in the car. Pull yourself
together, and even if you don't like the place don't hurt Ted's feelings
by showing it."
She looked at me like one dazed, and inured to obedience got out, and we
followed Ted into the house. We found ourselves in a large square hall.
She groaned and leaned against the wall.
"I can't bear it," she whispered to me. "It's no use, I can't bear it."
"A glass of water, quick," I said to Ted, who turned beaming to us
expecting a chorus of admiration. "Essie is overtired."
"What is the matter?" I said to her as he hurried away. "What's wrong
with this exquisite place?"
"It's the house I come to at night," she said brokenly. "The dream
house. I knew it directly I saw it. Look! There's the minstrels'
gallery."
I could only stare at her amazed.
Kind Ted hurried back, splashing an overfull tumbler of water as he
came, on the polished oak floor.
Public-domain text, read in full here on John Shaqi.
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