The French appear to be entitled to whatever of credit attaches to the
original invention of the hobby-horse, a miserable steed at best, which
wore out the toes of a pair of boots at every journey. M. Blanchard, the
celebrated aëronaut, and M. Masurier conjointly manufactured the first
of these machines in 1779, which was then described as 'a wonder which
drove all Paris mad.' The Dandy-horse of 1818, the two wheels on which
the rider sat astride, tipping the ground with his feet in order to
propel the machine, was laughed out of existence. In 1840, a blacksmith
named Kirkpatrick Macmillan, of Courthill, parish of Keir,
Dumfriesshire, made a cycle on which he rode to Glasgow, and caused a
big sensation on the way. This worthy man died in 1878, aged 68. The
notable fact regarding Macmillan's cycle is, that he had adapted cranks
and levers to the old dandy or hobby-horse. Gavin Dalziel, of
Lesmahagow, Lanarkshire, had a bicycle of his own invention in daily use
in 1846. The French are probably justified, moreover, in claiming as
their own the development of the crude invention into the present
velocipede, for, in 1862, a M. Rivière, a French subject residing in
England, deposited in the British Patent Office a minute specification
of a bicycle. His description was, however, unaccompanied by any drawing
or sketch, and he seems to have taken no further steps in the matter
than to register a theory which he never carried into practice.
Subsequently, the bicycle was re-invented by the French and by the
Americans almost simultaneously, and indeed, both nations claim priority
in introducing it. It came into public notoriety at the French
International Exhibition of 1867, from which time the rage for them
gradually developed itself, until in 1869 Paris became enthusiastic over
velocipedes. Extensive foundries were soon established in Paris for the
sole purpose of supplying the ironwork, while some scores of large
manufactories taxed their utmost resources to meet the daily increasing
demand for these vehicles.
Public-domain text, read in full here on John Shaqi.
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