The romance of insect life : $b Interesting descriptions of the strange and curious in the insect worldSelous, Edmund
Science
The romance of insect life : $b Interesting descriptions of the strange and curious in the insect world
Selous, Edmund
Insects
Let us now look at the beginning. _Solenopsis fugax_, Sir John Lubbock
tells us, “makes its chambers and galleries in the walls of the nests of
larger species, and is the bitter enemy of its hosts. The latter cannot
get at them because they are too large to enter the galleries. The
little _Solenopses_, therefore, are quite safe, and, as it appears, make
incursions into the nurseries of the larger ant and carry off the larvæ
as food. It is as if we had small dwarfs about eighteen inches to two
feet long harbouring in the walls of our houses and every now and then
carrying off some of our children into their horrid dens.”[58] This is
the general proposition. Monsieur Janet can add a few particulars. “The
_Solenopsis_,” he says, “may establish itself near almost any other ants
of our country, and is found especially with....” Here follows a list
all in Latin, but our common Wood-ant—the large one that makes those
great heaps of pine-needles—and the Amazon, or slave-making ant, are
contained in it.[59] “The _Solenopsis_ nest,” continues M. Janet, “may
partially surround that of its neighbour’s, or it may even be partly
excavated in the masses of earth which separate the galleries of the
latter. In each case—and probably, too, when, as is frequent, there is
not such close contiguity—fine connecting galleries enable the
_Solenopsis_ to make incursions into the nests of their neighbours,
where, as we shall see, they find an abundance of food. The actual nest
consists of a number of small circular chambers about 8-20 mm. in
diameter and only 6-8 mm. in height. Most of these chambers are
separated from one another by several centimetres, and are connected by
slender galleries, often less than two millimetres in diameter, entering
the chambers at their walls, ceilings, or floors, which latter are
remarkably clean, smooth, and hard.”[59]
Public-domain text, read in full here on John Shaqi.
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