The romance of insect life : $b Interesting descriptions of the strange and curious in the insect worldSelous, Edmund
Science
The romance of insect life : $b Interesting descriptions of the strange and curious in the insect world
Selous, Edmund
Insects
Lyonnet was unable to discover the use of the so-called mast, and it
remains a mystery to this day, so that the imaginary philosopher might
have a better chance here, were it not his _métier_ to be put to
confusion. It is hollow, and as the cocoon contains air, with which the
beetle supplies it—just as the water-spider does her diving-bell—Miger,
whose observations were made in 1807, some fifty years after those of
Lyonnet, supposed it might serve as the channel of entry. But, although
hollow, it has no orifice, but is closed at the end, and this does not
seem to accord with the above view. Mr. G. A. Laker, a modern observer,
does not think that the spike can serve as a balance to the cocoon,
since this is usually attached to some weed, or other supporting
substance. He, however, cut the spike off two of the cocoons, and the
eggs in both of these remained unhatched. Moreover, these cocoons
subsequently sank, whereas in their normal state they “are so
constructed that when floating loose the spike retains its proper
position, and even if the cocoon be held so that the spike is parallel
with the water and then suddenly released, it immediately rights
itself.”[144] The balance theory, therefore, certainly seems to have
something in its favour. Lyonnet’s own conjecture was that the mast, as
he calls it—a designation against which Miger protests—might merely
represent the waste silk which the beetle felt impelled to get rid of.
The time taken by the beetle in making the whole cocoon is about five
hours, whilst the mast, spike, or turned-up point, as Miger severely
calls it, takes it half an hour. It is curious that whereas Lyonnet’s
cocoons held “about a hundred” eggs, Mr. Laker gives the number as
“usually between fifty and sixty.”[144]
Public-domain text, read in full here on John Shaqi.
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