The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
That the wives of famous men invariably feel curious to see the models
of their husbands goes without saying, and very many instances might be
cited of their having done so. Among those who visited the Exhibition
during the war were Lady Jellicoe, Lady Beatty, and Mrs. Asquith.
Lady Beatty made a very intelligent criticism of the Admiral’s portrait,
and as the result of her suggestions certain alterations were made.
Lady Jellicoe’s criticism was quite favourable. “You have been extremely
fortunate in catching my husband’s expression,” she said.
Mrs. Asquith did not make any comments, but her young son, who came with
her, derived not a little amusement from his distinguished father’s
presentment, and showed his appreciation by coming again and bringing a
boy friend to see it the very next day.
CHAPTER XXXIV
Tussaud’s as educator--Queer questions--Wanted, a “model”
wife--Quaint extract from an Indian’s diary.
An American visitor to the Exhibition once said to me, “You know, this
show is a liberal education, a history of Europe in kind. I never
learned so much history in any one afternoon. Why don’t you write your
reminiscences?”
I told him that I probably should do so one day, and he replied
characteristically:
“There is no time like the present. Get on with it, and put me down as a
subscriber.”
A French Ambassador is reported to have said: “A day in Tussaud’s is
worth a year at Oxford; it fixes history as no tutor could.”
On more than one occasion schoolmasters have made a similar remark with
reference to the value of the figures and exhibits in Madame Tussaud’s
as a means of impressing the minds of their boys with the episodes of
history. Teachers often bring their pupils, and I am constantly receiving
appreciative letters after a visit.
Schoolboys themselves, I have always noticed, take the keenest possible
interest in all they see, and I frequently overhear them eagerly
challenging one another concerning the identity and lives of historical
personages as they confront their models.
The Exhibition has been frequently consulted as an authority upon
innumerable historical subjects, especially with regard to matters
dealing with portraiture, biography, and costume, and many of the
questions submitted might well have puzzled even the compiler of an
encyclopædia. Queries are almost always coupled with an urgent request
for immediate reply.
Peculiarities of well-known people are fruitful topics for inquiry. The
following are a few of the questions put:
“On which side of Cromwell’s face did his warts grow?”
“Which was the arm that Nelson lost, and which was his blind eye?”
“Was Byron’s club-foot the right or the left?”
“Did Mary, Queen of Scots, have brown eyes or blue?”
Again: “What was the height of Napoleon?”--the most frequent question of
all.
Other popular problems relate to costume:
“Did the Black Prince really wear black armour? Or to what was his
cognomen due?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account