The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
The figure of Marat dying in his bath never has breathed; it is the bosom
of the Sleeping Beauty that rises and falls as she reposes in slumber.
Neither does Henry VIII turn his head to inspect his six wives. Those who
think he does must be confusing him with the aforesaid Cobbett, although
not a few readers of history think that the head of Bluff King Hal, who
caused so many people to be beheaded, must itself have been “turned.”
Some years ago an elderly bachelor from the Midlands called to ask
whether we could make him a model of a lady based upon his own
description and sketches and dressed in clothes designed by himself.
I should have attached no importance to the matter had I not, my
curiosity being whetted, asked a few questions of the caller.
It then transpired that the model was to represent his ideal woman whom
he had been unable to discover in real life. He was anxious to have a
woman about the house “pleasing to the eye, but at the same time somewhat
less loquacious than the usual run of females,” as he put it.
He proposed that the model should be placed in an adjustable chair and
be jointed, so that at meal-times it could sit at the head of his lonely
table and at other times could recline at ease beside the fire, opposite
his own armchair.
Needless to say, the commission was not accepted.
It is very natural that such an institution as Madame Tussaud’s should
include the “curious” among its diversified store of anecdote.
One quaint document in our archives is the published diary of an Indian
officer, Jemadar, No. 1427, Abdur Razzak, of the 15th Madras Lancers,
from which I give the following extract relating to a visit he paid to
the Exhibition:
On the 5th June, 1893, we went to see the Wax Work “Madame
Tussaud,” where we first saw a woman in red dress with a basket
full of different kinds of flowers all made in wax with her,
which was very difficult to make out that she was an image, but
when we entered the building we saw lots of images of emperors
and kings, and remarkable persons both men and women with rich
and poor dresses on.
I really say that I was very much admired to see these images,
and was in many places in the buildings mistook the visitors to
be of them when they were standing still, but when they moved
was very much ashamed on account of my misunderstanding; by
this we made our minds to be little far from both the images
and the visitors and servants in the building.
We saw the throne of Her Majesty just the same we have seen
on the 9th May, 1893, besides this one more image in shape
with Her Majesty in a room writing something on a table with a
candle on it, and this too quite astonishing.
Public-domain text, read in full here on John Shaqi.
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