The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
There is, however, one very striking contrast between the crowd on a Bank
Holiday and that on a Cup-tie day, and this is due to the circumstances
that the followers of football do not bring their women-folk or children
with them on the occasion of these “bachelor” beanfeasts--a concession, I
presume, made to their men by the wives and sweethearts of the north.
Not by a long way do all these excursionists go to see the great football
finals at the Palace. Quite a large proportion, taking advantage of the
cheap fares, come to see London and its many sights which the average
Londoner proverbially overlooks.
It has more than once been remarked by the Exhibition attendants that
many Cup-tie visitors spend the greater part of the day at Madame
Tussaud’s, lingering for hours among the relics of Napoleon and the
figures and exhibits of the Chamber of Horrors, without having the
slightest intention of venturing so far as to see the football contest
played.
It is a mistake to imagine that the working classes of the north are
ignorant of English history, or not concerned with it; and if that
impression exists, I should like to correct it. I doubt whether any class
takes a keener interest in the Hall of Kings, or makes more use of the
information provided by the Catalogue.
The “trippers,” “country cousins,” or whatever one likes to call them,
seldom pester the Exhibition attendants with queries, for what one does
not know another does. The Catalogues are taken away for further perusal,
and one may often search the whole Exhibition in vain the next morning
for one that has been discarded.
All day long groups of Cup-tie trippers stand about the Sleeping Beauty,
not only for her sake, but also for the sake of Madame Tussaud, whose
figure stands at Madame St. Amaranthe’s head, while at her feet sits
William Cobbett, wearing his old beaver hat, and holding in his hand the
snuff-box which legend credits him with passing to visitors on some weird
occasions.
Men from Oldham naturally show special interest in Cobbett, who was, in
his day, Member of Parliament for that town.
Cobbett sits on a red upholstered ottoman, with room enough for two other
persons, and on a certain Cup-tie day two travel-stained, tired men sat
down by him, and, noticing that he moved his head from side to side, took
him to be alive. They addressed questions to him, and jumped up very
hurriedly as he jerked his head and looked blankly at them through his
horn spectacles.
The only two figures in the Exhibition that make any pretence of life are
William Cobbett and the Sleeping Beauty.
A wonderful self-made man was Cobbett, who began life as a living
scarecrow, armed with a shotgun, in the employment of a farmer, and,
after being, among other things, sergeant-major won a great reputation
as a writer of English prose and attained the distinction of adding M.P.
to his name in those days when Parliamentary honours were less easily
achieved than they are to-day.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account