The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
“Prior to the date of your letter the pack had already been
reshuffled, and the figures to which you refer had been
relegated to a much less conspicuous position than they
had previously occupied. When your letter was penned they
were conspiring against the peace of Europe in a small room
which contains the tableau representing ‘The Destruction of
Messina’--a scene of ruin which seems to be in keeping with
this Machiavellian group.
“Like yourself, other visitors had frequently suggested
that the quartette should be placed in another famous--or
infamous--part of the Exhibition; but the trouble was that
Burke and Hare, Charles Peace, Greenacre, and Wainwright, whom
you name, and their comparatively innocuous companions, would
not hear of their abode being thus desecrated.
“What were we to do?
“I am now pleased to inform you that after considering your
remarks a solution has been arrived at: the pack has been
shuffled again, and, by a remarkable feat of legerdemain, the
four knaves have now disappeared altogether.”
We congratulate Messrs. Tussaud on this happy solution to the
problem.
The restoration of two of the figures was due to a very singular
circumstance. Our overseas soldiers soon began to visit Madame Tussaud’s
in large numbers, and they frequently expressed disappointment at not
being able to see the two enemy Emperors whose armies they had come so
far to fight.
Sympathising with their point of view, we had the Kaiser and Francis
Joseph readmitted, placing them in an isolated position, with the
“All-Highest” at one time confronting the Messina tableau, and more
recently faced by the tableau of the Ruhleben horse-box in which British
prisoners had to spend four long weary years of separation from home and
family. In the same room are models of Prince Bismarck and Count von
Moltke.
[Illustration: PRINCE BISMARCK]
It was some little time after the Kaiser’s reinstatement that a British
sailor, who was quite unable to control his feelings, after glowering for
several minutes at the figure, made a run at it and knocked it over. The
head was smashed and the figure badly damaged.
The tar’s friends, who were much concerned at their companion’s escapade,
strove to pacify him, and contrived to get him out of the building
without further trouble; but the Kaiser had to go into hospital for
repairs.
The sailor was carried away by an impulse thousands have with difficulty
controlled out of respect for the Exhibition and the law which makes it
an offence to destroy other people’s property.
Two days after the incident a little boy inquired of an Exhibition
attendant where he could see the pieces of the Kaiser, as he would like
to take a bit away.
Public-domain text, read in full here on John Shaqi.
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