The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
With this change in attire there came a marked alteration in its
demeanour. Usually sedate and reserved, it now betrayed--in startling
contradiction to all reasonable expectations--a cherry, devil-me-care
character which, curious to relate, resolved itself into a tone
unmistakably flippant; a mental attitude to which we soon realised we
must give our careful consideration.
He would indeed have been a poor psychologist who had taken this outward
showing as a true indication of the feelings of our brave fellows;
for it was obviously but the assumption of that demeanour so strongly
characteristic of the British disposition, that of facing an ugly job in
a cheerful spirit.
It was the ready answer to the pessimist, “If it’s got to be done, what’s
the use of being miserable about it?”--a philosophical bearing that
perhaps found its deepest expression in their “Cheerio!” and insouciant
wave of the hand bidding farewell to wife, mother, and child ere turning
to face the grim realities and dread uncertainty of war.
To keep pace with the stirring and ever-fluctuating events of the
day, large maps of the battle areas were specially produced for the
Exhibition, and lectures were given before them, explaining our
varying fortunes in the great conflict. It was in the giving of these
lectures that we were soon able to take a fairly correct measure of the
disposition of our visitors.
They were, first of all, delivered on somewhat academic lines, with,
perhaps, too pronounced an idea of imparting instruction rather than that
of affording entertainment. It was soon found that if the attention of
our visitors was to be held, it was necessary to adopt a more optimistic
and lively, if not an almost bantering, tone if the dissertation were to
receive any real mark of appreciation on the part of those who cared to
listen.
As the struggle proceeded Tussaud’s began to assume the position of
a _pointe de réunion_ of a very remarkable character, and this quite
irrespective of class or nationality.
We opened our doors as early as eight o’clock in the morning, and even
then found that not a few had been waiting for admission for some
considerable time. This forced upon us the conviction that the Exhibition
had risen in favour as something of a place of refuge by those who had
involuntarily found themselves abroad early in the morning and had borne
its existence in mind.
Be this as it may, throughout all hours of the day Tussaud’s proved a
centre of attraction to many champions of their country’s cause. Here
they were to be seen, whether on their final leave before going out to
the front, or homeward bound to enjoy a brief respite from the turmoil of
the conflict, and awaiting a train to carry them to their families.
Public-domain text, read in full here on John Shaqi.
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