The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
In 1817 the Exhibition was shown at “Mr. Sparrow’s Upper Ware Rooms, Old
Butter Market, Ipswich, having lately arrived from the Concert Rooms,
Canterbury, and lastly from the Assembly Rooms, Deal.”
It was probably when the Exhibition was visiting Cambridge in 1818 that
a worthy Don made the suggestion that the figures of criminals should be
placed in a separate room. Too long would be taken even to name all the
places that were visited by the Exhibition, but there is an account in
the _Coventry Herald_ that on the 14th March, 1823, the cordial thanks
of a meeting of school managers were presented to Madame Tussaud for her
“unsolicited and handsome donation of a moiety of the receipts of her
Exhibition on Monday evening last.”
Among the figures taken on tour at this time were models of Louis XVI,
Marie Antoinette, and the Dauphin, Voltaire, and Madame St. Amaranthe
(Tussaud’s “Sleeping Beauty”), taken a few months before her execution.
These identical figures, as already stated, are still in the collection.
To trace the travels of the Exhibition there is no need. For some years
Madame, with her sons, Joseph and Francis, went on tour throughout the
country. A misadventure in the Irish Channel, when she was on her way to
Dublin, threatened the enterprise with disaster. The vessel which carried
their precious belongings was partially wrecked, and many valuable
exhibits were lost. Undaunted by the bufferings of Fate, and helped by
friends, Madame replenished her Exhibition and brought it up to date.
The current of events did not run smoothly for Madame Tussaud; but
the little woman possessed a brave spirit, and struggled on against
adversity, being upheld by the conviction that she would eventually
triumph.
CHAPTER X
The Bristol riots--Narrow escape of the Exhibition--A brave
black servant--Arrival at Blackheath.
The Bristol riots in the autumn of 1831 again brought the Exhibition into
serious jeopardy. Madame Tussaud had just arrived in the city of the West
Country, when the Recorder, Sir Charles Wetherell, came to open a Special
Commission for the trial of certain political offenders associated
with the agitation for reform. Judge Wetherell was heartily disliked
by West-country folk, and there was strong opposition to this Special
Commission being held. Public resentment developed into a riot, which the
military was sent to subdue.
[Illustration: SIR CHARLES WETHERELL
Judge at the political trial that precipitated the Bristol riots.]
Madame tells the story herself of the sufferings she endured during the
days of wanton destruction and loss of life, as the rabble resorted to
killing and pillage. Judge Wetherell was obliged to escape from the
city, disguising himself, as it was then stated, with some taunt at his
personal habits, “through the medium of a wash and the donning of a clean
shirt and collar.”
Public-domain text, read in full here on John Shaqi.
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