The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
The three days’ terror can scarcely be considered the result of a genuine
revolutionary movement. True, certain ringleaders of the rabble seem to
have imagined in some vague way that they were hastening the day of
“liberty”; but the rioters only destroyed for sheer destruction’s sake.
What they sought to promote they neither knew nor cared. For the most
part the mob was utterly contemptible, and but for the extraordinary
apathy of the authorities the riot might have been easily quelled.
It was on the morning of Saturday, the 29th of October, that the Recorder
came to the city, and, a disturbance being feared, a number of special
constables were sworn in. These officials, mostly young men, did more
harm than good, for they irritated the people by overmuch zeal, and led
to blows being exchanged, which fomented the trouble. This was followed
by an attack on the Mansion House, where Sir Charles was banqueting with
the Corporation.
The civic party was hunted out, and made its escape over the housetops.
Suddenly the cry was raised, “To the back!” and the mob surged round to
the offices behind the Mansion House, where faggots and firewood were
stored. For the present the rioters refrained from firing the building,
and contented themselves with looting the premises. The cellars proved
particularly attractive to the unruly crowd, which was shortly in
possession of a hundred dozen of wine, and the day closed amid general
drunkenness and disorder.
On Sunday morning the mob reassembled in Queen Square. The authorities
had plucked up sufficient courage to publish a proclamation warning all
rioters to return to their homes; but these gentlemen were not disposed
to take the admonition seriously. The unlucky bill-sticker who posted
the proclamation was badly mauled.
[Illustration: THE BRISTOL RIOTS
From a water-color drawing made on the spot by William Muller, showing
the figures being removed for security from the Exhibition premises,
Sunday, 30th October, 1831.]
One individual mounted King William’s statue in the Square and waved a
tri-coloured cap on a pole, shouting to his comrades to behold the cap
of Liberty. Possibly this aroused in the minds of the befuddled rioters
some recollection of the French Revolution, for a move was made towards
the gaol, which was speedily in their power. A vigorous employment of
sledgehammers soon broke in the prison doors, and the prisoners, some of
them almost nude, at once joined the mob.
The Governor’s house was sacked and fired; his books were pitched into
the New River, and the prison van met with a similar fate. Then the
Gloucester County Gaol, the lock-up house at Lawford’s Gate, and the
Bishop’s Palace were all fired. Between seven and eight o’clock the
rioters revisited the cellars of the Mansion House and began rolling out
barrels of beer and wine. Intoxicated persons could be seen moving about
the kitchen and the banqueting-room with lighted candles, and in less
than two hours the building was gutted.
Public-domain text, read in full here on John Shaqi.
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