The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
As to those people who retain a permanent place in the Exhibition, I
suppose the secret is that, either by the example of their lives or
through the medium of their works, they have deeply touched the heart or
stirred the imagination of the people.
I suppose the British public never looked on two such political
gladiators as Beaconsfield and Gladstone, and while these two statesmen
dominated people’s minds it was natural that they should both have a
pedestal at Madame Tussaud’s. I can neither say who was first to appear
in the Exhibition, nor prophesy who will be the last to go. They are both
there now, and still attract much notice from persons of all shades of
political opinion.
So often had these figures to be remodelled, to keep pace with the
changes worked by time and the strenuous nature of their public service,
that there must now repose, carefully stowed away in our “catacombs,”
impressions of their features sufficient to cover the whole gamut of
their political careers.
For more than a generation the Beaconsfield curl and the Gladstone collar
exercised a subtle influence in the political world, mainly through the
cartoons and caricatures of John Tenniel and Harry Furniss.
One has to be meticulously careful with regard to important details such
as these; and when Mr. Gladstone’s figure had to be remodelled in later
years, it was thought advisable, in order to be quite correct, that a
collar actually belonging to the “G. O. M.” should be inspected.
Mr. Gladstone was living at Carlton House Terrace at the time the
new portrait was in progress; and our “Master of the Robes,” who was
responsible for the accuracy of detail respecting all Exhibition
costumes, called there, and, on examining the statesman’s collars, was
surprised to find that they were of quite normal size, and not so high as
the caricaturist represented them to be.
As a matter of fact, the collars were made to fit loosely round the neck,
and thus allowed the wearer’s chin to sink behind their upstanding ends.
It is gratifying to record that permission to view her husband’s collars
was graciously given to our representative by Mrs. Gladstone herself.
On a certain occasion when Mr. Gladstone had been notified that Mr. Harry
Furniss, the originator of the big collar, would be at a dinner to which
he himself was invited, the Liberal leader purposely wore a collar of
more than usually modest dimensions, possibly as a gentle rebuke to his
caricaturist.
[Illustration: JOHN BRIGHT
Anti-Corn Law leader, whose model stands near that of Richard Cobden in
the Exhibition.]
[Illustration: RICHARD COBDEN
English statesman and political economist.]
The model which approached nearest to these in popularity at the time was
that of John Bright, the great Anti-Corn Law Leaguer and apostle of Free
Trade. His portrait has long since stood beside that of Richard Cobden,
and these two inseparable reformers must remain together for good, as
they laboured together in their lives.
Public-domain text, read in full here on John Shaqi.
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