The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
Turnerelli, unluckily for himself, thereafter entertained the chimerical
idea of presenting the golden laurel chaplet to Lord Beaconsfield,
estimating that the cost of each leaf would be about £5. He succeeded, at
any rate, in convincing sceptical people that there were at least 52,000
Conservative working men in the country. The wreath was made by Messrs.
Hunt and Roskell, who put it on exhibition at their rooms. It was also
shown to the Prince of Wales and other members of the Royal Family before
being exhibited at the Crystal Palace.
Turnerelli’s own explanation of Lord Beaconsfield’s refusal to accept
the wreath was a curious one. He stated that a “high legal functionary”
warned Lord Beaconsfield that the wreath was a typical “Imperial diadem”
which could only be loyally offered to a sovereign, and that it would be
an insult to the Crown if a subject were to accept such a gift.
This same legal authority, Turnerelli said, reminded him that the
promoter of such a presentation would have been consigned, in previous
reigns, to the Tower of London.
These warnings came too late for Turnerelli, who, had he known about
them sooner, might have substituted an inoffensive golden inkstand or
a pair of golden candlesticks. But the wreath was allowed to go on to
completion, to be put on exhibition, and to be written about in a light
and fleering spirit; while the statesman to whom it was to be presented
offered no remonstrance until the pennies of the 52,000 working men had
been spent on it.
Flippant people suggested that the whole affair was a “plant” on
Turnerelli’s part to win from Lord Beaconsfield some honour or emolument;
but those who knew Turnerelli well scouted this insinuation, and
attributed the whole proceeding to the guileless sincerity of the man.
Had he never embarked upon the wreath project, he might have preserved
some reputation as a writer of topical political verse and pamphlets. The
wreath, however, may serve to preserve his memory longer, as an episode
in the life of the great Conservative statesman whom he artlessly, rather
than artfully, desired to honour.
In a curious last will and testament Turnerelli said: “I leave the
gold laurel wreath to the nation, provided my generous friends the
Conservatives will help me to cover the hundred and fifty pounds or
thereabouts I have personally expended upon it.”
To a Birmingham gentleman, with whom he had almost completed negotiations
for the sale of the wreath for £245, he wrote: “By the advice of
influential friends I have determined to let Madame Tussaud & Sons have
the privilege of exhibiting the wreath.” Turnerelli compensated the
Birmingham would-be purchaser for alleged breach of contract.
_Punch_, of the 22nd of November, 1879, contained the following: “What
the Wreath has come to.--The brows of Lord Beaconsfield at Madame
Tussaud’s. _Punch_ said it would, and it has.”
Public-domain text, read in full here on John Shaqi.
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