The Romance of Modern Invention: Containing Interesting Descriptions in Non-technical Language of Wireless Telegraphy, Liquid Air, Modern Artillery, Submarines, Dirigible Torpedoes, Solar Motors, Airships, &c. &c.Williams, Archibald
Science
The Romance of Modern Invention: Containing Interesting Descriptions in Non-technical Language of Wireless Telegraphy, Liquid Air, Modern Artillery, Submarines, Dirigible Torpedoes, Solar Motors, Airships, &c. &c.
Williams, Archibald
Inventions
At the time of M. Deloncle’s proposal the largest refracting telescope
was the Yerkes’ at William’s Bay, Wisconsin, with an object-glass
forty inches in diameter; and next to it the 36-inch Lick instrument
on Mount Hamilton, California, built by Messrs. Alvan Clark of
Cambridgeport, Massachusetts. Among reflecting telescopes the prior
place is still held by Lord Rosse’s, set up on the lawn of Birr Castle
half a century ago. Its speculum, or mirror, weighing three tons, lies
at the lower end of a tube six feet across and sixty feet long. This
huge reflector, being mounted in meridian, moves only in a vertical
direction. A refracting telescope is one of the ordinary pocket type,
having an object-lens at one end and an eyepiece at the other. A
reflector, on the other hand, has no object-lens, its place being
taken by a mirror that gathers the rays entering the tube and reflects
them back into the eyepiece, which is situated nearer the mouth end of
the tube than the mirror itself.
Each system has its peculiar disadvantages. In reflectors the image is
more or less distorted by “spherical aberration.” In refractors the
image is approximately perfect in shape, but liable to “chromatic
aberration,” a phenomenon especially noticeable in cheap telescopes
and field-glasses, which often show objects fringed with some of the
colours of the spectrum. This defect arises from the different
refrangibility of different light rays. Thus, violet rays come to a
focus at a shorter distance from the lens than red rays, and when one
set is in focus to the eye the other must be out of focus. In
carefully-made and expensive instruments compound lenses are used,
which by the employment of different kinds of glass bring all the
colours to practically the same focus, and so do away with chromatic
aberration.
Public-domain text, read in full here on John Shaqi.
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