The romance of natural history, second seriesGosse, Philip Henry
History
The romance of natural history, second series
Gosse, Philip Henry
Natural history
Mr Gogerly, a missionary of some standing in India observes that some
persons who were incredulous on the subject, after taking the most
careful precautions against any trick or artifice being played, sent a
charmer into the garden to prove his powers;--the man began to play upon
his pipe, and proceeding from one part of the garden to another, for
some minutes stopped at a part of the wall much injured by age, and
intimated that a serpent was within. He then played quicker, and his
notes were louder, when almost immediately a large Cobra di Capello put
forth its hooded head, and the man ran fearlessly to the spot, seized it
by the throat, and drew it forth. He then shewed the poison fangs, and
beat them out; afterwards it was taken to the room where his baskets
were left, and deposited among the rest. The snake-charmer, observes the
same writer, applies his pipe to his mouth, and sends forth a few of his
peculiar notes, and all the serpents stop as though enchanted; they then
turn towards the musician, and approaching him within two feet raise
their heads from the ground, and bending backwards and forwards, keep
time with the tune. When he ceases playing, they drop their heads and
remain quiet on the ground.
The _Penny Magazine_ for April 1833, contains the following very precise
and circumstantial narrative, communicated by a gentleman of high
station at Madras:--"One morning, as I sat at breakfast, I heard a loud
noise and shouting among my palankeen-bearers. On inquiry, I learned
that they had seen a large hooded snake, and were trying to kill it. I
immediately went out, and saw the snake creeping up a very high green
mound, whence it escaped into a hole in an old wall of ancient
fortification; the men were armed with their sticks, which they always
carry in their hands, and had attempted in vain to kill the reptile,
which had eluded their pursuit, and in his hole had coiled himself up
secure, whilst we could see his bright eyes shining. I had often desired
to ascertain the truth of the report, as to the effect of music upon
snakes. I therefore inquired for a snake-catcher. I was told there was
no person of the kind in the village; but after a little inquiry, I
heard there was one in a village distant about three miles. I
accordingly sent for him, keeping a strict watch over the snake, which
never attempted to escape, whilst we, his enemies, were in sight. About
an hour elapsed, when my messenger returned bringing a snake-catcher.
This man wore no covering on his head, nor any on his person, excepting
a small piece of cloth round his loins; he had in his hands two baskets,
one containing tame snakes, the other empty: these and his musical pipe
were the only things he had with him. I made the snake-catcher leave his
two baskets on the ground, at some distance, while he ascended the mound
with his pipe alone. He began to play: at the sound of the music the
snake came gradually and slowly out of his hole. When he was entirely
Public-domain text, read in full here on John Shaqi.
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