The Romance of Old New England RooftreesCrawford, Mary Caroline
History
The Romance of Old New England Rooftrees
Crawford, Mary Caroline
Historic buildings -- New England; New England -- Biography
Young Morse seconded his father's passion for geography by one as
strongly marked for drawing, and the blank margin of his Virgil occupied
far more of his thoughts than the text. The inventor came indeed only
tardily to discover in which direction his real talent lay. All his
youth he worshipped art and followed (at considerable distance) his
beloved mistress. His penchant for painting, exhibited in much the same
manner as Allston's, his future master, did not meet with the same
encouragement.
A caricature (founded upon some fracas among the students at Yale), in
which the faculty were burlesqued, was seized during Morse's student
days, handed to President Dwight, and the author, who was no other than
our young friend, called up. The delinquent received a severe lecture
upon his waste of time, violation of college laws, and filial
disobedience, without exhibiting any sign of contrition; but when at
length Doctor Dwight said to him, "Morse, you are no painter; this is a
rude attempt, a complete failure," he was touched to the quick, and
could not keep back the tears.
The canvas, executed by Morse at the age of nineteen, of the landing of
the Pilgrims, which may be seen at the Charlestown City Hall, is
certainly not a masterpiece. Yet the lad was determined to learn to
paint, and to this end accompanied Allston to Europe, where he became a
pupil of West, and, it is said, also of Copley.
West had become the foremost painter of his time in England when our
ambitious young artist was presented to him, but from the beginning he
took a great interest in the Charlestown lad, and showed him much
attention. Once in after years Morse related to a friend this most
interesting anecdote of his great master: "I called upon Mr. West at his
house in Newman Street one morning, and in conformity to the order given
to his servant Robert always to admit Mr. Leslie and myself even if he
was engaged in his private studies, I was shown into his studio.
"As I entered a half-length portrait of George III. stood before me on
an easel, and Mr. West was sitting with his back toward me copying from
it upon canvas. My name having been mentioned to him, he did not turn,
but pointing with the pencil he had in his hand to the portrait from
which he was copying, he said, 'Do you see that picture, Mr. Morse?'
"'Yes, sir,' I said, 'I perceive it is the portrait of the king.'
"'Well,' said Mr. West, 'the king was sitting to me for that portrait
when the box containing the American Declaration of Independence was
handed to him.'
"'Indeed,' I answered; 'and what appeared to be the emotions of the
king? What did he say?'
"'His reply,' said Mr. West, 'was characteristic of the goodness of his
heart: "If they can be happier under the government they have chosen
than under me, I shall be happy."'"[11]
Public-domain text, read in full here on John Shaqi.
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