The romance of the animal world : $b Interesting descriptions of the strange & curious in natural historySelous, Edmund
Science
The romance of the animal world : $b Interesting descriptions of the strange & curious in natural history
Selous, Edmund
Animal behavior; Animals
that there is only our body, which is now like a large sack or purse.
Changed in this way, we can no longer lead the life that we have been
accustomed to. We live in the sea, now, and are usually at the bottom of
it, holding on to rocks or stones with some of our sucking tentacles,
and often getting our soft, unarmed bodies into holes and crevices, the
better to protect them. Our long lip-arms are always waving about in the
water, and when we are hungry we throw them round anything that we care
about eating, suck on to it with all our little mouths, and bite and
swallow it with our big one. We need not go very far to supply our wants.
Our waving tentacles look very like the seaweeds that we live amongst, so
that fish, crabs, starfish, and all sorts of other living creatures are
constantly swimming up against us, and when we like them and are hungry,
we always treat them in this way. The shell of the crab must be hard that
we cannot crack with our great parrot beak, and the fish must be clever
that can avoid our embraces, since the faster it goes the faster we go
with it. We hug it till it stops, and then eat it—we do not understand
letting go.
Such and so strange a creature is the cuttlefish, but perhaps the
strangest, or at least the most interesting, thing about it, is that
device that it practises, and which I began by alluding to. In its body
there is a sort of bag, containing a fluid from which ink and the pigment
known as sepia are prepared, and which is of a deep brown colour. This
bag or gland has an opening near the end of the body, through which the
fluid can be ejected into the sea, which then becomes discoloured. There
is another opening near the creature’s mouth, and through this water
can be expelled by it, in the same way but with greater violence. When,
therefore, the cuttlefish is alarmed, and wishes to “lie low,” it spurts
out the water with such force that its body flies backwards, and, at the
same time, empties the contents of its ink-bag, thus making for itself a
cloudy sanctuary, into the midst of which it disappears. After a time the
water clears again, but the cuttlefish, in all probability, is nowhere to
be seen.
Public-domain text, read in full here on John Shaqi.
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