The Romance of the Canoness: A Life-HistoryHeyse, Paul
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The Romance of the Canoness: A Life-History
Heyse, Paul
German fiction -- Translations into English
"But, good-morning. I hope you haven't slept off overnight what we
arranged yesterday. How much salary did I promise you? I don't
remember. But I won't play the rogue to you at any rate."
I told him that I would remain only on two conditions: first, that I
should have entire liberty to do nothing except what I felt competent
to accomplish; and secondly, that there should never be any question of
wages. I had saved enough, during my three years as a tutor, to live
without earning anything for a time.
He made no reply, only shook his ambrosial locks thoughtfully and
struck my shoulder with his hand, like a prince accepting the homage
and service of a vassal. Then he called his wife, who was in the
adjoining room, dressing the boy.
She entered with her usual calm expression and, avoiding my eyes, held
out her hand. The boy ran to me and threw his arms around my neck.
"What do you say, dear," cried the artist, "he has really determined to
stay. Of course, it is solely on your account, for he would not throw
up his profession for my sake. Well, I hope you will treat him kindly.
'This lad--no angel is from sin more free,
Craving thy favor, I commend to thee.'"
With these words he rose, smiling, leaving me to decide whether the
quotation referred to my character of Fridolin, or to Joachimchen, who
expressed great delight on hearing that Uncle Johannes would take him
to walk immediately.
After her husband had left the room, Luise came to me and said in a low
tone: "I can not approve your decision, Johannes. But I am so weary
that I have not the strength to combat it."
* * * * *
I shall avoid giving a minute description of the time that now
followed. No one can feel disposed to pursue the destinies of such a
strolling company, the alternations of good and evil fortune, or the
coming and going of its members, in greater detail--nay, even for
theatrical history the list of its plays would have no value, as it was
not at all regulated by the spirit of the time, nor even by the
fashion, but patched together from new stock and shabby rubbish, as
chance and the difficulties of stage-setting permitted.
Public-domain text, read in full here on John Shaqi.
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