The Romance of the Canoness: A Life-HistoryHeyse, Paul
General
The Romance of the Canoness: A Life-History
Heyse, Paul
German fiction -- Translations into English
There was, in truth, nothing remarkable to be seen. A tolerably bright
light fell through four long, narrow, arched windows, but illumined
nothing save bare walls destitute of pillars, entablatures, or other
architectural decorations. Within the choir there was only the square,
brick foundation of the altar, raised one step above the floor. In a
corner opposite stood a bier covered with a black pall, thickly coated
with dust. The little almshouse chapel had doubtless served for a
receiving tomb so long as the graveyard outside was used. This thought
did not make the cellar-like place more agreeable, and we were about to
go back to the warm spring sunshine when my eyes fell upon a high,
narrow, wooden box, which stood on the other side just opposite to the
altar. Great was my surprise when, after having vainly fumbled about
the case for a time, a lid suddenly flew back, and an old harmonium
appeared. How it came there I could never ascertain. These instruments
are still very rare in our province, and it is hardly probable that
years ago the almshouse had a pious and wealthy patron in the city, who
desired to aid the religious service in the poor little church by such
an endowment.
So we examined our treasure with astonished eyes. When I touched the
keys, dull and somewhat rusty, yet not wholly discordant notes stole
forth, as if the sleeping soul, so long confined there, were waking,
and its first sound was a timid expression of thanks to its deliverers.
The case was instantly drawn forward, and I prepared to play. Frau
Luise, with sparkling eyes, came to my side. I began "A mountain
fastness is our Lord," and she joined in with her voice, at first
timidly, it was so long since she had sung a note, but soon with all
her former depth of feeling, till my heart thrilled with ecstasy. When
it was over, I began the introduction to our beloved Orpheus aria, and
how my friend's marvelous alto voice rang through the lofty, empty
chapel! The seven old dames sat silently on the step of the altar, the
click of the knitting-needles was no longer heard, nothing mingled with
the melody except the low twittering of the birds. So in the utmost
delight we practiced for some time, not stopping with this one aria,
and many airs which we had sung to our little Joachim returned to his
mother's mind.
At last emotion overpowered her, and I ceased playing, rose, and held
out my hand, which she cordially pressed. We knew what remained
unuttered.
"This must not be the last time we are happy here," I said; "later in
the summer this concert-room will be a pleasant refuge, though now the
damp, close atmosphere oppresses us. I wonder that you could control
your voice so well, Frau Luise."
Public-domain text, read in full here on John Shaqi.
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