The Romance of the Forest, interspersed with some pieces of poetry.Radcliffe, Ann Ward
General
The Romance of the Forest, interspersed with some pieces of poetry.
Radcliffe, Ann Ward
Gothic fiction
You'll know that soon enough, young lady, answered the stranger, for it
was indeed not Peter; I am taking you where my master ordered. Adeline,
not doubting he was the Marquis's servant, attempted to leap to the
ground; but the man, dismounting, bound her to the horse. One feeble ray
of hope at length beamed upon her mind; she endeavoured to soften the
man to pity, and pleaded with all the genuine eloquence of distress; but
he understood his interest too well to yield even for a moment to the
compassion which, in spite of himself, her artless supplication
inspired.
She now resigned herself to despair, and in passive silence submitted to
her fate. They continued thus to travel, till a storm of rain
accompanied by thunder and lightning drove them to the covert of a thick
grove. The man believed this a safe situation, and Adeline was now too
careless of life to attempt convincing him of his error. The storm was
violent and long, but as soon as it abated they set off on full gallop;
and having continued to travel for about two hours, they came to the
borders of the forest, and soon after to a high lonely wall, which
Adeline could just distinguish by the moonlight, which now streamed
through the parting clouds.
Here they stopped: the man dismounted, and having opened a small door in
the wall, he unbound Adeline, who shrieked, though involuntarily and in
vain, as he took her from the horse. The door opened upon a narrow
passage, dimly lighted by a lamp, which hung at the further end. He led
her on; they came to another door; it opened, and disclosed a
magnificent saloon splendidly illuminated, and fitted up in the most
airy and elegant taste.
The walls were painted in fresco, representing scenes from Ovid, and
hung above with silk, drawn up in festoons, and richly fringed. The
sofas were of a silk to suit the hangings. From the centre of the
ceiling, which exhibited a scene from the Armida of Tasso, descended a
silver lamp of Etruscan form; it diffused a blaze of light that,
reflected from large pier glasses, completely illuminated the saloon.
Busts of Horace, Ovid, Anacreon, Tibullus, and Petronius Arbiter,
adorned the recesses, and stands of flowers placed in Etruscan vases
breathed the most delicious perfume. In the middle of the apartment
stood a small table spread with a collation of fruits, ices, and
liqueurs. No person appeared. The whole seemed the works of enchantment,
and rather resembled the palace of a fairy than any thing of human
conformation.
Public-domain text, read in full here on John Shaqi.
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